Review: First Light

Still of Sister Yolanda (played by Ruby Ruiz) in her pale blue nun's habit standing in the verdant fields of Luzon in the Philippines in James. J. Robinson's First Light (2025).
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Summary

The poster for James. J. Robinson's First Light (2025).

A visually exquisite and quietly probing debut that explores faith, power, and the loss of innocence.

With shots of the sun filtering through dramatic clouds over the mountains of the Philippines, and nuns illuminated by candlelight, Filipino-Australian filmmaker James J. Robinson makes a striking feature debut with FIRST LIGHT — a film about faith and corruption that is at once searching and uplifting.

Robinson, a noted photographer raised by a Filipino mother in Australia, centres his story on one of the oldest convents in Luzon, the largest island in the Philippines. Sister Yolanda (Ruby Ruiz), a middle-aged nun, has her sheltered existence disrupted when she is called to give last rites to an injured worker. The incident shakes her to the core and sets her questioning the beliefs she’s held all her life.

Working with cinematographer Amy Dellar, Robinson takes full advantage of Luzon’s stunning landscapes, letting us absorb them at a measured pace. The stillness and low light of the crumbling convent contrast with the otherworldly green glow of a hospital room, while the crisp blues of the nuns’ habits stand out against the warm decay of their surroundings. The result is a visual world that feels both grounded and dreamlike.

Through Yolanda’s journey — moving between her modest convent life and the opulent in-home care of Ms. De la Cruz’s (Maricel Soriano) ailing mother — Robinson’s script sharply underscores social disparity. But it also uses that disparity to explore the loss of innocence, the shaking of faith, and the sobering realisation that temporal power can wield as much influence over life and death as the divine.

FIRST LIGHT closes with ceremony: a church service, following Yolanda’s decision to surrender her whole self when her time comes. Robinson offers no neat resolutions or poetic justice. Instead, he leaves us with questions and quiet contemplation — and announces himself as an exciting new voice in meditative cinema.

MIFF 2024

2025 | Australia, Philippines | DIRECTOR: James J. Robinson | WRITERS: James J. Robinson | CAST: Ruby Ruiz, Kare Adea, Maricel Soriano, Emmanuel Santos, Lui Manansala | DISTRIBUTOR: Melbourne International Film Festival | RUNNING TIME: 118 minutes | RELEASE DATE: 7-24 August 2025 (Melbourne International Film Festival)