Tag: 20110721

  • Larry Crowne

    Larry Crowne

    Larry Crowne posterTom Hanks has worn many hats over the years, not least of which are the animated ones his doppelgänger Woody wore in the successful series of Toy Story films. Beginning his film career in comedy, early successes with Splash and Big, Hanks solidified his reputation as a comedic actor, although a string of flops (The ‘BurbsJoe Versus the Volcano  and The Bonfire of the Vanities) led Hanks to more dramatic performances. The move proved to be a winning one for Hanks, becoming only the second actor (following Spencer Tracey) to win back-to-back Best Actor Oscars for Philadelphia and Forrest Gump. Since then, Hanks has balanced him comedic and dramatic roles more carefully, from major ensembles The Green Mile and Saving Private Ryan, one-man show Cast Away and major blockbusters such as The Da Vinci Code. With Larry Crowne, Hanks not only re-teams with Charlie Wilson’s War co-star Julia Roberts, but puts his director’s cap back on for the first time since 1996’s That Thing You Do.

    Larry Crowne (Hanks) is a middle-aged Navy veteran who is fired from his job at a large retail store when the company decides that his lack of education hinders his chances of promotion. Broke and depressed, Larry takes the advice of his neighbour (Cedric the Entertainer, Madagascar) and sells off most of his possessions to enrol in college for the first time. Making friends with the college kids, Larry begins to fall for cynical educator Mercedes (Julia Roberts, Eat Pray Love).

    Larry Crowne - Tom Hanks and Julia Roberts

    Nothing about Larry Crowne makes sense. From the insensitive and baffling dismissal of Larry at the start of the film, to the juvenile antics at the community college, this is not a film born of this plane of reality. That Nia Vardalos (My Big Fat Greek Wedding, My Life in Ruins) is the co-writer on this brain spasm should have been the first clue that Larry Crowne was destined for a less than spectacular end-product. Yet the extent to which this film goes to prove its own stupidity is mind-blowing. Despite being set at a community college, and going to great lengths to remind us “this is not high school”, everything else about Larry Crowne follows the motifs of the troubled school dramas. Students are petulant and uninterested in the classes they are seemingly being “forced” into, teachers chastise students for being tardy or texting in class (a fact of everyday life in a tertiary institution) and lecture theatres seem to be custom built with permanent bronze signs for the academics. Are there only two classes being taught on the campus? We could just as easily put this all down to a piece of Hollywood fancy, from two people who have not walked the same ground as us mere mortals for quite some decades, were it not for the shocking characterisation of most of the principle cast.

    Hanks and Roberts have been described as America’s sweethearts, but that brings with it a certain amount of saccharine that when overdone, can lead to diabetes and the potential for losing a foot. Hanks has turned in some terrific dramatic performances under Steven Spielberg, Robert Zemeckis, Jonathan Demme, Frank Darabont, Sam Mendes and Ron Howard. Yet under the direction of himself, Hanks shows that his hapless persona can only take him so far under his own tutelage. Julia Roberts brings that role she plays to Mercedes the teacher, the same slightly bullying, loud-mouthed persona that has followed her since at least 1990’s Pretty Woman. How anybody puts up with Gugu Mbatha-Raw’s Talia, a woman who snatches phones from Larry’s hands and rearranges his furniture on a whim, without firing her from a canon is baffling. Yet the most troubling aspect of Larry Crowne is that it comes from a very real place of people dealing with the after-effects of the global financial crisis, and a great film is yet to be made on the subject. It just shouldn’t be written, directed and starring a Hollywood A-Lister for whom the financial crisis is just another opportunity to ham the camera.

    [stextbox id=”custom” caption=”The Reel Bits”]Larry Crowne is not only an unfunny mess of a film, it is incredibly out of touch with the audiences who deal with the issues in the film every day. Offensive in its ineffectualness, the only people who seem to have enjoyed this are the ones in front of the camera. [/stextbox]

    [stextbox id=”grey”]OFLC-Class-MUSA | 98 minutes | Director: Tom Hanks  | Starring: Tom Hanks, Julia Roberts, Cedric the Entertainer

    [/stextbox]

    Larry Crowne was released on 21 July 2011 in Australia from Pinnacle.

  • Bad Teacher

    Bad Teacher

    Barely earns its passing grade in a predictable and sporadically funny comedy that sits in the chunky middle section of the bell-curve, neither failing completely or excelling.

    Bad Teacher poster Australia

    Earlier this year, Waiting for Superman warned us of the dangers of an underfunded and understaffed American school system. The development of the core audience for films like Bad Teacher may not have been one of the topics covered, but the dumbing down of American comedy may just be one of the side-effects of a broken system. Elizabeth (Cameron Diaz) is recently dumped by her rich meal ticket, so enters the school system as a means of finding an income without much effort.

    In the series of clips that Elizabeth plays in class suggests, from 1988’s Stand and Deliver to the “Gangsta’s Paradise” of 1995’s Dangerous Minds, teachers and students trying to connect on screen are stories as old as the medium itself. Bad Teacher flips the roles by making the teacher the broken one that needs fixing, and surrounds her with a series of dysfunctional adults to hammer home the point. In theory, this could have been the comedy of the year, but from the title down to the tips of Diaz’s pointy shoes, a giant Post-It note needs to be stuck to the script with the words “Tries too hard” circled in red pen.

    If Bad Teacher were a student, it would be the kid who sits up the back and thinks that he is far funnier than he actually is. That kid is occasionally chuckle-worthy, and is prone to catching you off-guard with his truthfully crude commentary. Yet for the most part, you just want him to sit outside, knowing that he will either end up as a low-paid bogan or a film blogger.

    It would be unfair to say that the problems begin with the casting, as everybody involved has proved that they can work under the right circumstances. Diaz has come off a string of bad films,  and only The Box stands out in a poor run from 2003’s Charlie’s Angels: Full Throttle to her forgettable role in the otherwise fun The Green Hornet, that also includes rom-coms The Holiday, What Happens in Vegas and (shudder) Knight and Day along the way. Segal manages to push his regular persona out through some poorly structured material, which allows him to do what he does best and ad-lib. Timberlake has shown that he has the capability to act, but this just isn’t one of those films that will be on his showreel: he may have brought sexy back, but not even that can explain the logic-leap of the dry-humping scene. The real strength is in Punch’s Squirrel and The Office‘s Phyllis Smith, and they manage to steal the meagre scraps of scenes they are given. Lacking the cohesive narrative or genuine heart of Judd Apatow’s and Terry Zwigoff’s similarly mean-spirited comedies, Bad Teacher makes a poor role model.

    Bad Teacher is released on July 21, 2011 in Australia by Sony.