Tag: Bob Peterson

  • Review: Cars 3

    Review: Cars 3

    At one point in CARS 3, Lightning McQueen stands in front of a wall of merchandise, protesting he has “never thought of myself as a brand.” Yet the Disney•Pixar franchise has consistently been the studio’s biggest money spinner. The films have made over $1 billion (and counting) at the box office, and the merchandising sales have exceeded $10 billion. Which is probably why this film, the first series entry not directed by studio founder John Lassester, plays it safe by driving on a familiar track. 

    In the latest season of the Piston Cup, Lightning McQueen (voiced once again by Owen Wilson) finds that he is outclassed by Jackson Storm, a new breed of car. Following a violent crash, he cloisters himself in Radiator Springs. Unable to work with new trainer Cruz Ramirez (Cristela Alonzo), Lightning  strikes a deal with sponsor Rust-Eze’s new owner, Sterling (Nathan Fillion). If he can win on his own terms in Florida, following the spirit of ‘Doc’ Hudson, he will decide when he is done with racing. 

    DO THE MATH — In Disney•Pixar’s “Cars 3," Kerry Washington lends her voice to Natalie Certain, a highly respected statistical analyst who knows her numbers. Book-smart and mathematically gifted, Certain is a fresh voice in the racing world. While she may earn top marks in her ability to evaluate a racer’s stats, she could be underestimating the importance of determination. “Cars 3” opens in U.S. theaters on June 16, 2017. ©2017 Disney•Pixar. All Rights Reserved.

    If the narrative seems familiar, it’s certainly not too far away from the original Cars from way back in 2006. This is a mixed blessing, especially for those that felt the spy capering of Cars 2 drifted away from the wistful nostalgia of the first entry. Which is kind of where CARS 3 gets a bit stuck, in trying to make a simple morality tale for all audiences, but caught between a world of Old Blues Bar and Grills and shiny racing statistics to distract the younger audiences.

    Which makes us wonder who the audience for this film actually is.  Indeed, an entire world of anthropomorphic cars has always given us more questions than answers. (Cattle tractors, for instance: are they there for milking? Or do the other cars eat them?) This is no mere metaphysical pondering, as the Cars series begins to show the strain of a ill-defined concept stretched out over too much canvas. At 109 minutes, the younger audience members were certainly past the point of restless.

    The animation is technically first rate, especially when they explore the hyper-realistic exteriors and landscape shots, but the story issues hold it back from cutting loose. The cars themselves have always been a limited design choice. When the film is not following their rigid frames driving around in fast circles, it’s an almost static series of images of cars in front of computer displays. Indeed, the in-film training simulator seems to be nothing more than an advertisement for a video game spin-off. 

    Pixar could learn a lot from their own narrative in CARS 3. As new and innovative animation houses come along, Pixar can no longer be content to rely on franchise formula and familiar tropes to win the race. In fact, that’s almost exactly what happened to Disney in the 1980s. While the next film in the stable is the original Coco, the sequel trend continues with follow-ups to The Incredibles and Toy Story slated for the next two years. So even though it’s a fun film in places, like Lightning McQueen, it’s time to hand over the steering wheel to new voices. 

    [stextbox id=”grey” bgcolor=”F2F2F2″ mleft=”5″ mright=”5″ image=”null”]2017 | US | DIR: Brian Fee | WRITERS: Kiel Murray, Bob Peterson, Mike Rich | CAST: Owen Wilson, Cristela Alonzo, Chris Cooper, Armie Hammer, Bonnie Hunt, Larry the Cable Guy, Nathan Fillion, Kerry Washington | DISTRIBUTOR: Disney | RUNNING TIME: 109 minutes | RELEASE DATE: 22 June 2017 (AUS), 16 June 2017 (US)[/stextbox] 

  • Review: Finding Nemo 3D

    Review: Finding Nemo 3D

    Pixar’s classic returns in a whole new dimension, adding depth to the deep blue world so lovingly created by these masters of animation.

    [stextbox id=”grey” caption=”Finding Nemo 3D (2003/2012)” float=”true” align=”right” width=”200″]

    Finding Nemo 3D poster - Australia

    Director: Andrew Stanton, Lee Unkrich

    Writer: Andrew Stanton, Bob Peterson, David Reynolds

    Runtime: 100 minutes

    Starring: Albert BrooksEllen DeGeneres, Alexander Gould, Willem Dafoe, Geoffrey Rush

    Distributor: Disney

    CountryUS

    Rating (?):  (★★★★★)

    More info

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    When Finding Nemo hit cinemas in 2003, Pixar could do no wrong. Indeed, almost a decade later – with the possible exception of Cars – there has been nary a misstep in the cinematic canon. The winners of no less than three Best Animated Feature Oscars, a number of their recent films (Up and Toy Story 3) have even been nominated for Best Picture of the year by the same Academy. While their debut Toy Story may have been the film that put the then-radical Pixar Studios on the map, and was the impetus for birth of a number of other rival computer-generated animation houses, it is arguable that Finding Nemo was the film that shot them into the stratosphere. Coming only second to The Lord of the Rings: The Return of the King at the box office that year, and remains one of the highest grossing animated features of all time.

    When clownfish Marlin (voiced by Albert Brooks) loses his wife and most of his spawn to one of the ocean’s more sinister creatures, he becomes the overprotective father his sole surviving son Nemo (Alexander Gould). After reluctantly letting Nemo attend school, tragedy strikes when Nemo is snatched by a group of human divers. Frantic, Marlin swims out into open waters in search of his boy. Teaming up with forgetful but optimistic blue reef fish Dory (voiced by Ellen DeGeneres), Marlin must face sharks, jellyfish and other ocean dangers in the quest to find Nemo.

    Regardless of the increasingly outlandish settings of Pixar’s films, more recently taking us into space and away on a balloon-powered house, the attraction of the films have always been their emotional core. Just as the Toy Story films were about dealing with mortality or outliving one’s usefulness, Finding Nemo deals with the very human issue of dealing with children growing up and knowing when to let go. Marlin may be the quintessential overreacting parent, but whether we are parents or not, we can completely relate to the pain and angst this orange clownfish feels. Pixar have an incredible ability to make audiences cry within the first ten minutes of a film, most notably in Up and Toy Story 3. The opening scenes of Finding Nemo are devastating, but are also fundamental in helping us identify with Marlin’s pain and providing a sense of urgency and immediacy to his quest, which begins not too long after the initial tragedy. Part of the reason Pixar is still spoken of in revered tones is not simply because of the quality of their animation, which is sublime, but because their ability to evoke feeling in everything from fish to robots falling in love is genuine and heartfelt.

    Finding Nemo 3D

    Despite nine years having passed since Nemo first went missing, a relative century in animation turns, Finding Nemo is as fresh as the day it was released. It is by no means a major departure from Pixar’s earlier (or subsequent) works, essentially sticking to the same mismatched buddy comedy formula that has worked so well in Toy StoryMonsters Inc.UpCarsRatatouille and to a lesser extent, WALL-E. Once again, this reliance on formula has worked for the studio and there was no reason they should depart from it: they have become very good at showing us a secret world unbeknownst to humans. It also provides much of the accessible comedy for both kids and adults: the little ones may laugh at the sheer ditziness of Ellen’s Dory or surfer dude Crush the turtle, while adults will find much to like about a group of vegetarian sharks (voiced by Australia’s own Barry Humphries, Eric Bana and Bruce Spence). Australians are actually depicted as a functioning nation of adults as well, with genuine Aussie voice Bill Hunter as a dentist and Geoffrey Rush as Nigel the pelican. Non-Australian voices, including Willem Dafoe, give additional weight to the film without overwhelming it with their infamy.

    Finding Nemo will long remain one of Pixar’s classics, with a timeless quality that will ensure it finds a new audience every generation. Having been the better part of a decade since the film was released, it is time for a whole new audience to discover the wonders of the magical world beneath the ocean. The 3D for this re-issue may smack of a cheap cash-in on the back of the highly successful The Lion King 3D box office run, but there is nothing sub-par about this release. Adding a whole new layer of depth to the already immersive environment, you’ll want to reach on in and grab hold of some shell, dudes. Finding Nemo just keeps on swimmin’.

    Finding Nemo 3D swims back into Australian cinemas on 30 August 2012 from Disney.

  • Disney-Pixar Titles The Good Dinosaur and Announces Dia de los Muertos Movie

    Disney-Pixar Titles The Good Dinosaur and Announces Dia de los Muertos Movie

    Pixar Animation Studios LogoComingSoon.Net reports in from CinemaCon with a few bits of terrific news on Disney-Pixar’s upcoming projects. This includes the announcement of the title for the previously Untitled Pixar Movie About Dinosaurs, an update on the The Untitled Pixar Movie That Takes You Inside The Mind and a brand new film announced around the holiday of Dia de los Muetros. The great news is, none of them are prequels or sequels!

    First up, the untitled dinosaur film will now be called The Good Dinosaur, and is now due for a US release on 30 May 2014. The film proposes that the evolution-changing asteroid that wiped out the dinosaurs actually missed the Earth, and dinosaurs still exist and continue to evolve. It will be directed by Bob Peterson (Up).

    The previously hinted Lee Unkrich project, now will be produced with Darla Anderson and will be set around the holiday of Dia de los Muertos. Disney-Pixar describes the film as follows:

    “From director Lee Unkrich and producer Darla K. Anderson, the filmmaking team behind the Academy Award®-winning Toy Story 3, comes a wholly original Pixar Animation Studios film that delves into the vibrant holiday of Día de los Muertos”.

    Finally, the Untitled Pixar Movie That Takes You Inside The Mind has now been pushed back from 30 May  2014 to 19 June 2015. The extra year can perhaps help them find a title. The official synopsis was released late 2011:

    Pixar takes audiences on incredible journeys into extraordinary worlds: from the darkest depths of the ocean to the top of the tepui mountains in South America; from the fictional metropolis of Monstropolis to a futuristic fantasy of outer space. From director Pete Docter (Up, Monsters, Inc.) and producer Jonas Rivera (Up), the inventive new film will take you to a place that everyone knows, but no one has ever seen: the world inside the human mind.

    A prequel to Monsters Inc, titled Monster University, is also slated for 21 June 2013. With Brave due out in cinemas very soon, it is an exciting time to be a fan of Disney-Pixar!