Tag: Julia Roberts

  • Review: Money Monster

    Review: Money Monster

     Money Monster poster (Australia)A tense cross between Network and Dog Day Afternoon, there’s a plethora of twists in Jodie Foster’s latest directorial turn.

    The global financial crisis of 2007-08 was so bad that economists called it one of the worst since the Great Depression of the 1930s. Like that golden age for Hollywood, cinema has responded once again. From documentaries such as Too Big to Fail through to last year’s Oscar-winning The Big Short, these films have attempted to hold accountable those financial institutions that have seemingly escaped personal consequence. In MONEY MONSTER, director Jodie Foster chooses the thriller genre to make a point about banker responsibility.

    Styled after Jim Cramer’s Mad Money persona, financial guru and TV personality Lee Gates (George Clooney) is in the middle of his bling-filled broadcast when viewer Kyle Budwell (Jack O’Connell) busts in and holds Gates hostage. Having lost money in a “algorithm glitch” that caused IBIS Global Capital’s stockholders to lose $800 million, the distressed Budwell demands justice from advisers like Gates and IBIS CEO Walt Camby (Dominic West), not just for himself, but for all investors who lost money.

    While the film may not directly be about the GFC, the thriller approach is a unique take on accountability, albeit an ill-advised response in real life. Where MONEY MONSTER becomes interesting is when it takes the formula and uses it to point an unwavering finger at Wall Street bankers and financiers, and even the media itself, for allowing this to happen in the first place. What begins with elements of the rapid-fire Aaron Sorkin-esque dialogue of a workplace turns into a spin on Sidney Lumet’s Dog Day Afternoon (1975) as our sympathies begin to fall in line with Budwell’s. This is partly thanks to the versatile British actor Jack O’Connell, as well as the case Foster and screenwriters Alan Di Fiore, Jim Kouf, and Jamie Linden begin building against the institutions. Here the film suddenly becomes a journalistic investigation, with more than a dash of Lumet’s other biting satire of the 1970s, Network. The media circus itself becomes the news, recreating the very conditions that led to misinformation in the first place. “If nobody understands the math,” comes the sage advice in relation to the allegedly failing algorithm, “nobody has to explain the money.” It’s as true of any complex media report smothered in the distractions of the banal, and Foster makes her case solidly on this point.

    George Clooney (center) stars as Lee Gates in TriStar Pictures' MONEY MONSTER.

    The use of formula and tips of the hat to classic films are one thing, but there are some cinematic clichés, from producer Patty Fenn (Julia Roberts) who is a few days away from taking a new job, to the family life of Budwell that simply exacerbates his hysteria. As this is being presented as a thriller, it’s also reliant on perhaps one too many twists, occasionally obfuscating the ultimate message of the film. Yet if nothing else, it may be you only opportunity to see George Clooney make it rain in a gold glitter top hat.

    2016 | US | DIR: Jodie Foster | WRITERS: Alan Di Fiore, Jim Kouf, Jamie Linden | CAST: George Clooney, Julia Roberts, Jack O’Connell, Dominic West, Caitriona Balfe, Giancarlo Esposito | DISTRIBUTOR: Sony | RUNNING TIME: 98 minutes | RATING:★★★½ (7/10)

  • Review: Mirror Mirror

    Review: Mirror Mirror

    The first of the two fresh takes on the Brothers Grimm’s most famous tale sets the visual bar and fun factor high in this cheeky spin on a fairy tale.

    [stextbox id=”grey” caption=”Mirror Mirror (2012)” float=”true” align=”right” width=”200″]

    Mirror Mirror poster - Australia

    Director: Tarsem Singh

    Writer(s): Melissa Wallack, Jason Keller

    Runtime:  106 minutes

    Starring: Lily Collins, Julia Roberts, Armie Hammer, Nathan Lane

    Distributor: Roadshow Films

    CountryUS

    Rating: Better Than Average Bear (?)

    More info

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    With its groundbreaking animation and winning score, Walt Disney’s first animated classic Snow White and the Seven Dwarfs has largely shaped the modern conception of what this well-trodden tale should look like. Countless versions have been crafted over the last 75 years, based on the Grimm Brothers most famous version of the story, but the core variations of the myth have all been Disneyfied to a certain extent. In the grand tradition of Hollywood, two contenders to the throne have been announced for 2012, and Mirror Mirror beats Snow White and the Huntsman to the screen by a matter of months.

    A wicked enchantress uses magic to marry, and then dispose of, the King and take her place as Queen Clementianna (Julia Roberts). Keeping the rightful air to the throne, the beautiful Snow White (Lily Collins), subservient and out of sight, the Queen taxes the poor and runs the kingdom into ruin for her own vanity. After a chance encounter in the forest, the charming prince Andrew Alcott (Armie Hammer) becomes smitten with Snow. The jealous Queen orders her henchman Brighton (Nathan Lane) to kill her, but instead he lets her run. There, Snow encounters seven diminutive highway robbers who take her in, and help her take back her kingdom from the Queen.

    Tarsem Singh Dhandwar, known to the movie world simply as Tarsem, developed a visually arresting glossy style in the commercial and music video world. It was one that he would employ in his debut feature film The Cell, and again in his sophomore effort The Fall. After taking the sword and sandal genre to artistic heights in last year’s Immortals, he rather unexpectedly turns to family comedy in Mirror Mirror, and it is a welcome and surprisingly fresh change. Once again, Tarsem’s visual style is what distinguishes this film from its competition, ensconcing its protagonists in brightly coloured garb and surrounding them in carefully placed faux antiquities and exotic objects. Every still from the film is worth framing. There is some darkness here, but while sinister, it is never truly frightening. In this respect, it shares more with modern family-friendly animation than Disney.

    Mirror Mirror - Julia Roberts and Armie Hammer

    Melissa Wallack and Jason Keller‘s script has Grimm at its core, but aims to subvert it enough to make it relevant to knowing modern audiences. The casting of Julia Roberts is a clear attempt to get audiences on side with the Queen from the start, who begins telling the story as though it is her own, and her mirror is not simply on the wall but a trans-dimensional portal. Around her swirls a whole lot of winking to the audience, especially around the frequent semi-nudity of Hammer’s prince, meaning that not all of the elements are for the smaller kids. Recasting the dwarfs as brigands with less than noble intentions is certainly a progressive step as well, especially when this set of seven kicks some serious tail.

    Collins radiates as Snow White, having never looked as beautiful or played as strong a role. After a completely forgettable turn in Priest, and a laughable one in unintentional comedy Abduction, she finds her place in this fairy tale, effortlessly transitioning from graceful to buccaneer bandit.  Making a wonderful foil for her is Hammer, cheekily playing up to the character, even spanking Snow several times during the obligatory sword fight. This is incredibly silly stuff, but it’s a fairy tale after all, and the important thing is that everybody, including the audience, lives happily ever after.

    Mirror Mirror was released in Australia on 29 March 2012 from Roadshow Films.

  • New trailer for Tarsem Singh’s Mirror Mirror

    New trailer for Tarsem Singh’s Mirror Mirror

    Mirror Mirror - Lily Collins as Snow WhiteWith Universal’s Snow White and the Huntsman preempting this trailer by a week, it seems that the war might be over shortly after the first shots were fired. The competing Snow White film, Relativity Media has issued the trailer for Tarsem Singh‘s Mirror Mirror. It looks pretty, but…oh dear.

    Singh is the visually arresting director of The FallThe Cell and currently, ImmortalsMirror Mirror stars Lily Collins (Abduction) as Snow White, alongside Julia Roberts as the Evil Queen, Armie Hammer as the prince, Sean Bean as the King, and Nathan Lane. Unlike the Kristen Stewart version, this one has seven smaller characters in it.

    This looks incredibly silly. “Snow way!” Really?  Going for that self-referential fairy-tale vibe that worked quite well in the original Shrek, and absolutely fell flat on its face in Hoodwinked! Too, the trailer loses us as soon as Julia Roberts appears in frame. The visuals look absolutely stunning, of course, and one would expect that from Singh. However, it looks as though the darker leanings of Snow White and the Huntsman may actually trump what is so far a terrible-looking enterprise. We will remain cautiously optimistic until it hits cinemas!

    Mirror Mirror is released in the US on 16 March 2012. It will be released in Australia on 29 March 2012 by Roadshow.

  • Tarsem Singh’s Snow White to be named Mirror Mirror

    Tarsem Singh’s Snow White to be named Mirror Mirror

    Mirror Mirror - Lily Collins as Snow WhiteOf the two competing Snow White films coming out over the course of the next year or so, only one of them had a title…until now. The one garnering the most attention has been the Kristen Stewart (The Twilight Saga) vehicle Snow White and the Huntsman, while the other has remained the Untitled Snow White Project on IMDB for the longest time. Now THR reports that the film will be called Mirror Mirror.

    The title reflects the more lighthearted and comedic elements of the film, as opposed to the much dark Snow White and the Huntsman. That said, the presence of Stewart might mean that “darker” just means “broodier” or simply “Emo”.

    Directed by Tarsem Singh, the visually arresting director of The Fall, The Cell and Immortals, Mirror Mirror will undoubtedly be pretty. It stars Lily Collins (Abduction) as Snow White, alongside Julia Roberts as the Evil Queen (so playing herself then?), Armie Hammer as the prince (two princes?), Sean Bean as the King (will he have an awesome death in this movie too?), and Nathan Lane (Hakuna Matata!).

    Mirror Mirror is released in the US on 16 March 2012. It will be released in Australia on 29 March 2012 by Roadshow.

  • Larry Crowne

    Larry Crowne

    Larry Crowne posterTom Hanks has worn many hats over the years, not least of which are the animated ones his doppelgänger Woody wore in the successful series of Toy Story films. Beginning his film career in comedy, early successes with Splash and Big, Hanks solidified his reputation as a comedic actor, although a string of flops (The ‘BurbsJoe Versus the Volcano  and The Bonfire of the Vanities) led Hanks to more dramatic performances. The move proved to be a winning one for Hanks, becoming only the second actor (following Spencer Tracey) to win back-to-back Best Actor Oscars for Philadelphia and Forrest Gump. Since then, Hanks has balanced him comedic and dramatic roles more carefully, from major ensembles The Green Mile and Saving Private Ryan, one-man show Cast Away and major blockbusters such as The Da Vinci Code. With Larry Crowne, Hanks not only re-teams with Charlie Wilson’s War co-star Julia Roberts, but puts his director’s cap back on for the first time since 1996’s That Thing You Do.

    Larry Crowne (Hanks) is a middle-aged Navy veteran who is fired from his job at a large retail store when the company decides that his lack of education hinders his chances of promotion. Broke and depressed, Larry takes the advice of his neighbour (Cedric the Entertainer, Madagascar) and sells off most of his possessions to enrol in college for the first time. Making friends with the college kids, Larry begins to fall for cynical educator Mercedes (Julia Roberts, Eat Pray Love).

    Larry Crowne - Tom Hanks and Julia Roberts

    Nothing about Larry Crowne makes sense. From the insensitive and baffling dismissal of Larry at the start of the film, to the juvenile antics at the community college, this is not a film born of this plane of reality. That Nia Vardalos (My Big Fat Greek Wedding, My Life in Ruins) is the co-writer on this brain spasm should have been the first clue that Larry Crowne was destined for a less than spectacular end-product. Yet the extent to which this film goes to prove its own stupidity is mind-blowing. Despite being set at a community college, and going to great lengths to remind us “this is not high school”, everything else about Larry Crowne follows the motifs of the troubled school dramas. Students are petulant and uninterested in the classes they are seemingly being “forced” into, teachers chastise students for being tardy or texting in class (a fact of everyday life in a tertiary institution) and lecture theatres seem to be custom built with permanent bronze signs for the academics. Are there only two classes being taught on the campus? We could just as easily put this all down to a piece of Hollywood fancy, from two people who have not walked the same ground as us mere mortals for quite some decades, were it not for the shocking characterisation of most of the principle cast.

    Hanks and Roberts have been described as America’s sweethearts, but that brings with it a certain amount of saccharine that when overdone, can lead to diabetes and the potential for losing a foot. Hanks has turned in some terrific dramatic performances under Steven Spielberg, Robert Zemeckis, Jonathan Demme, Frank Darabont, Sam Mendes and Ron Howard. Yet under the direction of himself, Hanks shows that his hapless persona can only take him so far under his own tutelage. Julia Roberts brings that role she plays to Mercedes the teacher, the same slightly bullying, loud-mouthed persona that has followed her since at least 1990’s Pretty Woman. How anybody puts up with Gugu Mbatha-Raw’s Talia, a woman who snatches phones from Larry’s hands and rearranges his furniture on a whim, without firing her from a canon is baffling. Yet the most troubling aspect of Larry Crowne is that it comes from a very real place of people dealing with the after-effects of the global financial crisis, and a great film is yet to be made on the subject. It just shouldn’t be written, directed and starring a Hollywood A-Lister for whom the financial crisis is just another opportunity to ham the camera.

    [stextbox id=”custom” caption=”The Reel Bits”]Larry Crowne is not only an unfunny mess of a film, it is incredibly out of touch with the audiences who deal with the issues in the film every day. Offensive in its ineffectualness, the only people who seem to have enjoyed this are the ones in front of the camera. [/stextbox]

    [stextbox id=”grey”]OFLC-Class-MUSA | 98 minutes | Director: Tom Hanks  | Starring: Tom Hanks, Julia Roberts, Cedric the Entertainer

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    Larry Crowne was released on 21 July 2011 in Australia from Pinnacle.