Tag: Kim Nam-Gil

  • Review: The Odd Family: Zombie On Sale

    Review: The Odd Family: Zombie On Sale

    The zombie film is having something of a renaissance, and Korea has already made its mark with films like Train to Busan and Seoul Station redefining and influencing audiences across the globe. THE ODD FAMILY: ZOMBIE ON SALE (기묘한 가족) takes a slightly different approach, emphasising comedy in this strangely endearing film that happens to feature a bit of bloodletting.

    As the title would imply, this is a zombie film about a deeply odd family. We all know the story: a zombie enters the lives of a family living in a small community, and soon the plague spreads like wildfire. Of course, no zombie has encountered a family as opportunistic as this one. Man-Deok (Park In-Hwan) runs a rural gas station that relies on tourists. When a zombie bite gives the Park patriarch back some of his youthful vim and vigour, they concoct a scheme to monetise zombie bites.

    Writer/director Lee Min-Jae’s debut is arguably one of the gentler zombie films in the canon. Spending much of the first half of the film simply getting to know the family and their various quirks. The often-unilateral relationship between the strange man (Jung Ga-Ram) and Hae-Gul (Lee Soo-Kyung) swings between meet-cute and broader comedy. As Hae-Gul tries to ween him off flesh using sauce-covered lettuce, there’s a wonderfully silly moment when the pet zombie spots a field of the leafy green vegetables.

    ODD FAMILY: ZOMBIE ON SALE (기묘한 가족)

    The back half of the film gives way to a more traditional zom com, as chaos erupts and the zombie damn breaks. A zombie survival montage, and a possible visual reference to George A. Romero’s Land of the Dead, will be appreciated by the undead traditionalists in the audience. That said, you’re unlikely to see a zombie rave of this quality outside a theme night at a warehouse near you.

    There’s an excellent cast assembled here too. Uhm-Ji Won (The Master) has a laconic vibe that throws shade like a hooded lamp. Rising star Jung Ga-Ram (The Poet and the Boy) has fun playing against type, as his deteriorating body displays a physicality to his comedic and dramatic presence.

    Lee Min-jae concludes with a time jump that leaves us in a very different environment to the tranquillity at the start of the film, either conclusively bringing his saga to a close or leaving the door wide open for more adventures to come. It’s the kind of film that could easily go on in the vein of Zombieland, continuing to follow this small group of people across the wastelands of Korea if it so chose. Either way, this is a movie that does what it says it’s going to do on the side of the tin, but also manages to surprise and delight throughout.

    Koffia Logo

    2019 | South Korea | DIRECTOR: Lee Min-jae | WRITERS: Lee Min-jae | CAST: Park In-hwan, Jung Ga-ram, Lee Soo-kyung, Uhm Ji-won, Kim Nam-gil, Jung Jae-young | DISTRIBUTOR: Korean Film Festival in Australia 2019 (AUS) | RUNNING TIME: 112 minutes | RELEASE DATE: 1-18 August 2019 (KOFFIA)

  • Review: Memoir of a Murderer

    Review: Memoir of a Murderer

    Filmmaker Won Shin-yun has gained a solid reputation in Korean horror and thriller circles with films like Seven Days (2007) and The Suspect (2013). With MEMOIR OF A MURDERER (살인자의 기억법), he returns to the high tension genres with a tale of two serial killers, one that gets incredibly wrapped up in its own pretzel logic.  

    Based on the novel by Kim Young-Ha, it follows the aging veterinarian Byeong-Soo (Sol Kyung-Gu). Seventeen years earlier, he ended his career as a vigilante serial killer following an accident. Now with vascular dementia and Alzheimer’s setting in, those memories are fading, at least until he gets into a car accident with policeman Min Tae-Joo (Kim Nam-Gil). Immediately recognising him as another killer, Byeong-Soo battles to keep Tae-Joo away from his daughter Eun-Hee (Seol Hyun), but doesn’t trust his own memory to do what’s necessary.

    Memoir of a Murderer (살인자의 기억법)

    Sympathetic serial killers are all the rage, from Hannibal Lecter to Dexter. Hwang Jo-Yoon and Won Shin-Yeon garner that sympathy with a narrative proximity to Byeong-Soo, via voice over and flashes to his abused childhood. Yet just like Memento and other films of its ilk, he is an unreliable narrator due to his short-term memory issues. It’s on this basis that Won builds much of the film’s tension.

    The mystery doesn’t just come from whether or not Tae-Joo is actually the killer, but how much of what we’re seeing is genuine. Tae-Joo could be spending his entire time gaslighting an increasingly senile old man. On the other hand, we could be witnessing Byeong-Soo’s old habits rising to the surface as his mental defences begin to slip. Plenty of clues are dropped that either could be the case, and if the film trips over itself at any stage, it’s because it does a thorough job of dramatic misdirection. 

    Sol Kyung-Gu is magnificent in the lead role, a cutting performance that turns on a dime from doddering to ferocious. Likewise, it’s plausible that star Kim Nam-Gil is either a killer or just a nice guy with an unfortunate policeman’s haircut (as Eun-Hee puts it).

    Choi Young-Hwan’s (Pandora) photography is simply gorgeous, elevating much of the subject matter out of its typical genre aesthetics. Whether it is the green backdrop of a bamboo forest, moody overhead highway shots, or the stark contrast of a blood-filled bathtub against white tiles, Choi ‘s style is a formidable force. 

    MEMOIR OF A MURDERER quite literally keeps you guessing right up until the last snow-filled frame, which is a double-edged sword. It’s a white-knuckle ride as the film escalates to an extended confrontation between the three leads, but also one that has a few twists that may not hold up to closer examination. Nevertheless, it’s a top-notch thriller that is guaranteed to keep audiences engaged and thinking after the credits have rolled.

    [stextbox id=”grey” bgcolor=”F2F2F2″ mleft=”5″ mright=”5″ image=”null”]2017 | South Korea | DIR: Won Shin-Yeon | WRITERS: Hwang Jo-Yoon, Won Shin-Yeon | CAST: Sol Kyung-Gu, Kim Nam-Gil, Seol Hyun | DISTRIBUTOR: Magnum Films (AUS) | RUNNING TIME: 118 minutes | RELEASE DATE: 21 September 2017 (AUS) [/stextbox]