Tag: Samuel L Jackson

  • Review: Avengers – Age of Ultron

    Review: Avengers – Age of Ultron

    The sequel to be most successful comic book film ever takes everything up several notches, and can barely keep it all inside.

    [stextbox id=”grey” caption=”Avengers: Age of Ultron (2015)” float=”true” align=”right” width=”200″]

    Avengers: Age Of Ultron poster (Australia)

    DirectorJoss Whedon

    WritersJoss Whedon

    Runtime: 142 minutes

    StarringRobert Downey Jr., Chris Hemsworth, Mark Ruffalo, Chris Evans, Scarlett Johansson, Jeremy Renner, Don Cheadle, James Spader, Aaron Taylor-Johnson, Elizabeth Olsen, Paul Bettany, Cobie SmuldersSamuel L. Jackson

    Distributor: Disney

    CountryUS

    More info

    [/stextbox]

    NOTE: This review originally appeared at our sister site, BEHIND THE PANELS. Please visit there for more comic book content, and our weekly podcast.

    The coming together of geek god king Joss Whedon and the world of cinematic comic bookery was enough to make even the most cynical fan reach for his or her swooning couch, and the box office success of that union proved that superhero popularity extended well beyond the chaise longue. In the last three years, the rest of the Marvel Cinematic Universe has continued to grow in unexpected but equally successful ways, across television and mixed media, so it’s a very different landscape that AVENGERS: AGE OF ULTRON lands in.

    Whedon wastes no time in throwing the audience into the action, perhaps responding to audience reactions of the slower beat of the previous film’s first act. In a refreshingly exposition free set-up, it’s evident some time has passed since the last time we saw any of these characters, as they are now a fully-fledged team on the last of a series of recon missions. Discovering not only Baron Von Strucker (Thomas Kretschmann) in possession of Loki’s sceptre, but the “enhanced” twins Pietro (Aaron Taylor-Johnson) and Wanda Maximoff (Elizabeth Olsen), they unwittingly set in motion a bigger plan, and kickstart the artificial intelligence Ultron (James Spader) to life.

    It’s difficult to be too critical of AVENGERS: AGE OF ULTRON, for in every way it mostly achieves what it sets out to do by being a bigger and rompier version of its predecessor. This doesn’t begin as the origin story of a team, but rather an established group of characters interacting in a way we’ve never seen on screen before. The opening raid sequence is one of the impressive displays of superheroics ever, placing the characters in real peril and surrounding them in a swirling chaos. It’s a pace that the film rarely lets up on, with the already infamous “Hulkbuster” sequence, several Ultron attacks and a literally earth-shattering climax all coming in rapid succession.

    Yet the film shows some of the weaknesses that the Avengers themselves face during their latest outing, in that the individual parts are all vying for a bigger piece of the whole. There’s a conscious decision with Hawkeye (Jeremy Renner), for example, to give him a significant amount of backstory to make up for his perfunctory role in the 2012 film. While it’s a positive step, Renner isn’t the only star in the game, and every single one of the characters is given their own arc. This may sound like a good thing on paper, and works well within the context of a monthly comic, but many of the arcs get buried in the cacophony of concurrent threads.  With the multitude of storylines – not to mention the introduction of several new lead characters – it’s occasionally hard to keep track of what’s happening and it really does feel as though bits are missing between scenes. Ultron escalates from newborn to global threat in the space of a scene, barely giving us time to take in the enormity of the issue.

    In many ways, Whedon is trying to ape the compressed storytelling movement of the comic book world, lurching from one scene to the next to keep momentum going while tying up as many threads as possible in a short burst. This works brilliantly until you stop and try to piece together some of the disparate scenes, such as why it was necessary to have perfunctory visits to Africa and South Korea. For this reason, the middle act feels a bit messy on occasions. Instead of developing a fuller narrative, we instead get a series of tried-and-true shortcuts: a repeated gag about Rogers swearing, a trip to a farm to recuperate after a loss, and even an evacuation sequence with both a last minute child and a dog making it onto the last ship.

    Whedon’s vision is a singular one, and there is little denying that he has still got a finger placed firmly to the pulse when it comes to delivering exactly what the audience wants to see on a grand scale. Yet that also unfortunately means discarding those elements he seems to disagree with from previous films. Tony Stark’s profound decision and resolution at the end of the divisive Iron Man 3 is ignored for favour of cool new toys. Any substance in the Steve Rogers/Natasha Romanov relationship in Captain America: The Winter Soldier is dismissed in a one-liner about flirting. Indeed, the closeness of Black Widow to Clint Barton/Hawkeye that Whedon himself set up in The Avengers is cast aside for a new revelation about Barton’s personal life that feels more about plot necessity than character development.

    Avengers: Age of Ultron - Quicksilver, Ultron and Scarlet Witch

    The cinematography of Ben Davis (Guardians of the Galaxy, Kick-Ass), a regular collaborator with Matthew Vaughn, replaces the sometimes cramped photography of Seamus McGarvey. This gives the film the epic look it needs, and it is a revelation to see these characters assemble in a wider scope with darker shades surrounding them. This is necessary for the introduction of the robotic Ultron, captured as one of Whedon’s sarcastic “Big Bads” by James Spader, filling the impossibly large frame with swagger and ponce. Yet it also gives newcomer Wanda Maximoff/Scarlet Witch a realistic stage to play her mind games on the team, and it’s evident by the end that Whedon may have just used this film as an excuse to bring her into the fold.

    AVENGERS: AGE OF ULTRON nevertheless ends on a massively positive vibe, setting us up for the next phase via a wickedly funny mid-credits stinger, and is bookended by action sequences and liberal doses of humour that the writer/director is known for. If the middle act is a little emotionally uneven, or compressed to the point of brevity, perhaps it is through being overly ambitious. With Avengers: Infinity War planned to be two films, it is evident that the scale of the storytelling in these films is getting larger. Indeed, the first cut of this film was reportedly over 3 hours, and despite the scale, this chapter is actually slightly shorter than the first outing. It’s one of those rare instances where a longer film was justified in giving the film some breathing room, albeit it still remains a worthy romp in the end.

    AVENGERS: AGE OF ULTRON releases in Australia on 23 April 2015, and on 1 May 2015 in the US, from Disney.


     

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  • Review: Kingsman – The Secret Service

    Review: Kingsman – The Secret Service

    Mark Millar and Dave Gibbons’ comic shoots stylishly out of the gates, and it is guaranteed that minds will be blown.

    [stextbox id=”grey” caption=”Kingsman: The Secret Service (2014)” float=”true” align=”right” width=”200″]

    Kingsman: The Secret Service poster

     

    Director: Matthew Vaughn

    Writers: Jane Goldman, Matthew Vaughn

    Runtime: 129 minutes

    Starring: Colin Firth, Samuel L. Jackson, Mark Strong, Taron Egerton, Michael Caine

    Distributor: 20th Century Fox

    Country: US/UK

    Rating:  ★★★★½ (9/10)

    More info
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    The prospect of Kick-Ass director Matthew Vaughn re-teaming with creator Mark Millar was already a glee inducing prospect, as the combination had previously produced one of the most kinetic translations of a modern comic book in recent memory. Since then, Vaughn has solidified his reputation in the genre by directing X-Men: First Class, co-plotting its sequel X-Men: Days of Future Past and producing a sequel to Kick-Ass.  While KINGSMAN: THE SECRET SERVICE may be based on Millar’s 2012 comic series, it pleasingly returns to Vaughn’s roots by infusing it with elements of the distinctive British sensibilities and hyper-violent style that characterised his Guy Ritchie productions. The results are bloody brilliant.

    Taking the loose structure of the comic, along with several key sequences and beats, Jane Goldman and Vaughn’s screenplay shifts the uncle/nephew dynamic to something closer to My Fair Lady, a reference that the film riffs on. Following the death of a top field agent at the clandestine Kingsman spy operation, a set of debonair British agents who use the titular high-end tailor as their front, Harry Hart (Colin Firth) sees potential in estate rat “Eggsy” (Taron Egerton), the son of a former colleague. Attempting to repay a debt to his deceased father, Harry vouches for the boy’s recruitment into the order – as long as he can pass a series of convoluted and deadly tests. Meanwhile technology billionaire Richmond Valentine (Samuel L. Jackson) initiates a scheme that begins with free mobile access for the entire world.

    Unlike The Secret Service comic, Vaughn mostly concentrates on the training and blossoming friendship of Eggsy and his fellow trainee Roxy (Sophie Cookson). While this might be falling back on the “origin story” tropes of all superhero films, it makes for a much more effective feature than a straight adaptation of the comic. There are minor tweaks, such as the gender-flipped “blade runner” Gazelle, a muscle-bound character that could have stepped out of Frank Miller’s Sin City in the comic. Here the character is played by Algerian dancer Sofia Boutella, a clever twist on the James Bond henchman formula. There’s plenty of in-jokes for the comic’s fans though: a recognisable Star Wars actor makes an appearance, albeit not quite as expected.

    It’s undoubtedly the literally mind-blowing action sequences that take KINGSMAN: THE SECRET SERVICE to the next level. The tone is set early with the parkour and reverse-steering car chases we’ve come to expect from modern action, and an umbrella that would put James Bond’s Q Division to shame. Yet an extended sequence set inside a church, to a full song’s worth of music, is a piece of balletic bloodletting that is a masterclass in tightly controlled chaos. if you’ve seen Kick-Ass, then you’ll know that this isn’t even close to the explosive finale. To say more would be to spoil one of the most masterfully orchestrated pieces of comedic violence ever put on screen.

    KINGSMAN: THE SECRET SERVICE transcends its comic book roots, and this is by no means diminishing the wonderful source material from Millar and the legendary Dave Gibbons (Watchmen). It’s just that in every way that counts, this adaptation succeeds in bringing the full cinema experience to audiences. Do not expect a family-friendly throwback to the days of the gentleman spy, or a quaint jaunt through Steed’s The Avengers. Instead, strap yourself in for just the right amounts of excessive violence, clever cultural nods, and some laugh-out-loud moments of hilarity.


    KINGSMAN: THE SECRET SERVICE is released in the UK on  29 January 2015, in Australia on 5 February 2015 and in the US on 13 February 2015 from 20th Century Fox.

  • Review: Captain America: The Winter Soldier

    Review: Captain America: The Winter Soldier

    The latest Marvel film elevates the franchise to new heights, creating an authentic comic book experience on screen that defies convention. It just might also be the best Marvel film to date.

    [stextbox id=”grey” caption=”Captain America: The Winter Soldier(2014)” float=”true” align=”right” width=”200″]

    Captain America: The Winter Soldier poster (Australia)

    Director: Joe and Anthony Russo

    Writers: Christopher Markus, Stephen McFeely

    Runtime: 136 minutes

    Starring: Chris Evans, Scarlett Johansson, Sebastian Stan, Anthony Mackie, Cobie Smulders, Frank Grillo, Emily VanCamp, Hayley Atwell, Robert Redford, Samuel L. Jackson

    DistributorDisney

    CountryUS

    Rating:  ★★★★★

    More info
    [/stextbox]

    NB: This review originally appeared at our sister site, Behind the Panels.

    Over the course of the last six years, the Marvel Cinematic Universe hasn’t simply adapted comic stories, but instead it has woven together an entire continuity on screen. In doing so, it has happily flipped the notion of “comic book movies” on its head, with each of the nine films to date putting a spin on a diverse range of genres. Indeed, Captain America: The First Avenger was one of the more unlikely successes, an unabashedly Golden Age throwback with a period setting that nevertheless set the stage for the majesty of Joss Whedon’s The Avengers. So with its first direct sequel, Captain America: The Winter Soldier thrusts the Marvel films into the world of spy thrillers, and neatly sets up audiences for the forthcoming Avengers: Age of Ultron.

    Sticking fairly closely to Ed Brubaker and Steve Epting’s seminal Captain America arc “The Winter Soldier”, the film picks up a few years after the Battle of New York, with Steve Rogers (Chris Evans) still struggling to adapt to the 21st century. However, when Nick Fury (Samuel L. Jackson) runs into trouble within his own S.H.I.E.L.D. organisation, Captain America must team up with Natasha Romanoff/Black Widow (Scarlett Johansson) and new ally Sam Wilson (Anthony Mackie) to uncover not only a nefarious plot, but fend off a legendary threat known as The Winter Soldier.

    There is a moment shortly after the titular Cap jumps from a jet onto a ship filled with henchmen, that it will dawn on faithful audiences that this is no longer simply a film series: it’s a home for heroes. For comic book fans and franchise followers alike, Captain America: The Winter Soldier slips into the comfort centres of our brains as easily its hero cuts through bad guys. Emboldened by Marvel’s string of successes, Arrested Development and Community directors Joe and Anthony Russo don’t hold back on the action, filling every inch of the screen with images that could of leaped straight out of artist Steve Epting’s (or any Marvel artist for that matter) pen. Happily categorising itself as Avengers 1.5, this sequel successfully continues the pattern of escalation since the end of Phase One, and manages to deliver something even bigger without a single armoured suit or space battle present. There’s martial arts, car chases, aerial pursuits and inventive explosions – and that’s just the first act.

    Christopher Markus and Stephen McFeely’s script builds upon the characterisations of Captain America: The First Avenger, transplanting that same scrawny kid who didn’t like bullies into a more technologically advanced age. The dynamic is a fascinating one, with the script quite boldly playing with the headline ripping notion of the powers-that-be taking liberties with our liberties. Captain America: The Winter Soldier directly addresses the idea of what powerful organisations do with their influence during times of great fear, not just in the wider plot but within the interpersonal relationships as well. The casting of Robert Redford as S.H.I.E.LD. head honcho and World Security Council member Alexander Pierce is a masterstroke, harking back to his own 1970s thrillers, but providing a terrific counterpoint to Samuel L. Jackson’s badass Nick Fury for this very struggle.

    Captain America: The Winter Soldier - Falcon

    In fact, all the characters are beefed up and expanded upon in this entry, and not just Cap himself. While he continues to find his place in a brave new world, viewers are treated to their first proper outing of the character in his modern incarnation, with Evans owning every inch of his multi-costumed hero. The repartee between Rogers and Romanoff softens the Black Widow character, when she isn’t kicking ass of course, and should prove to audiences and studio execs that a Black Widow solo project could easily hold its own. Long-time Captain America comic partner Falcon makes a welcome debut, and flies aboard this growing crew as though he has always been there.

    Captain America: The Winter Soldier is the best Marvel film so far, combining spectacularly staged action pieces with a universe expanding plot that should keep audiences on the very edge of their seats for the duration of the film. As always, stick around for no less than two post-credits clips, teasing things to come in both Age of Ultron and the recently announced Captain America 3. If it doesn’t get your pulse racing, you might already be dead.  This is perfect geek cinema, elevating action to an art form. ‘Nuff said.


    Captain America: The Winter Soldier is released in Australia on 3 April 2014 and in the US on 4 April 2014 from Disney.

  • First trailer for ‘Captain America: The Winter Soldier’ arrives

    First trailer for ‘Captain America: The Winter Soldier’ arrives

    Commence the geekgasms! After a week of teasers, including the poster and a 10-second trailer, Marvel and Disney have released the first full trailer for Captain America: The Winter Soldier . A very SHIELD-centric film that seems determined to ground the Marvel Cinematic Universe between the cosmic adventures of Thor: The Dark World and Guardians of the Galaxy. Check out the trailer after the synopsis below.

    After the cataclysmic events in New York with The Avengers, Marvel’s Captain America: The Winter Soldier finds Steve Rogers, a.k.a. Captain America, living quietly in Washington, D.C. and trying to adjust to the modern world. But when a S.H.I.E.L.D. colleague comes under attack, Steve becomes embroiled in a web of intrigue that threatens to put the world at risk. Joining forces with the Black Widow, Captain America struggles to expose the ever-widening conspiracy while fighting off professional assassins sent to silence him at every turn. When the full scope of the villainous plot is revealed, Captain America and the Black Widow enlist the help of a new ally, the Falcon. However, they soon find themselves up against an unexpected and formidable enemy—the Winter Soldier.

    Directed by Anthony and Joe Russo, the film stars Chris Evans, Scarlett Johansson, Sebastian Stan, Frank Grillo, Samuel L. Jackson, Cobie Smulders, Toby Jones, Emily VanCamp, Hayley Atwell, Maximiliano Hernández, Robert Redford and Georges St-Pierre.

    Captain America: The Winter Soldier is released in Australia on 3 April 2014, and in the US on 4 April 2014, from Disney. What do you think of the trailer? Let us know in the comments section below!

  • Watch the new ‘Robocop’ trailer online

    Watch the new ‘Robocop’ trailer online

    We all had the same reaction when Robocop was announced for the remake treatment, but now that the first trailer is here, we’re all in conflict. The thing is, it actually looks pretty good. Directed by Jose Padilha, and written by Josh Zetumer and Nick Schenk, it stars Joel Kinnaman, Gary Oldman, Michael Keaton and Samuel L. Jackson.

    In RoboCop, the year is 2028 and multinational conglomerate OmniCorp is at the center of robot technology. Their drones are winning American wars around the globe and now they want to bring this technology to the home front. Alex Murphy (Kinnaman) is a loving husband, father and good cop doing his best to stem the tide of crime and corruption in Detroit. After he is critically injured in the line of duty, OmniCorp utilizes their remarkable science of robotics to save Alex’s life. He returns to the streets of his beloved city with amazing new abilities, but with issues a regular man has never had to face before.

    Robocop is released on 7 February 2014 from Sony.

  • Blu-ray Review: The Avengers

    Blu-ray Review: The Avengers

    Marvel’s Avengers assemble for the first time on the small screen, in a satisfying union that requires some assembly but ultimately achieves its ambitious collision of worlds. However, the Australian ‘Limited Edition’ Blu-ray lives up to its name in every way.

    It may have seemed like a crazy idea half a decade ago, when the release of Iron Man and The Incredible Hulk within a few months of each other signalled the start of something entirely unique in the film world. Marvel Studios had begun gathering together its mightiest heroes not simply for a series of adaptations, but to reconstruct its comic book universe for cinema audiences. The so-called Marvel Cinematic Universe gained momentum with the addition of Thor and Captain America: The First Avenger to the roster, not to mention an Iron Man sequel, and suddenly the impossible seemed possible. While DC Comics struggled through Superman reboots and Green Lantern misfires, Marvel had a legitimate cinematic institution on their hands.

    With The Avengers, the disparate elements from four thematically different worlds come together. When an alien force threatens the Earth, under the charge of Asgardian wild child Loki (Tom Hiddleston), über spy organisation S.H.I.E.L.D is compromised. Director Nick Fury (Samuel L. Jackson) desperately summons together Earth’s mightiest warriors to analyse the threat. Yet Captain America (Chris Evans) is a man out of time, and Tony Stark/Iron Man (Robert Downey Jr) an unstoppable egotist with other pursuits on his mind. Black Widow (Scarlet Johansson) is emotionally compromised, uncontrollable demigod Thor (Chris Hemsworth) is conflicted when it comes to his brother Loki and the newly calm Dr. Bruce Banner (Mark Ruffalo) keeps the Hulk in check. Will this ragtag team be enough to keep the extraterrestrial hordes at bay?

    Given that The Avengers is the culmination of a six film world-building saga, much of the first act of the film is confusingly spent in a dragging set-up not just for this film, but for the chapters that will inevitably follow. Indeed, one would be forgiven for thinking this was the prematurely released Iron Man 3 for at least half of the exposition. Yet as director Joss Whedon‘s script rapidly ticks off the whereabouts of all the players, getting us up to speed with their various misadventures in the cracks between films, some of the immediacy of the spectacular opening is lost. Here even master team-builder Whedon, seasoned through Buffy the Vampire Slayer and Firefly, struggles with the essential problem this film was always going to face: keeping four fan bases happy but simultaneously moving the story forward.

    Once all of the pieces are in one place, however, The Avengers becomes the cracking piece of event cinema that it was always destined to be. Here Whedon plays in his element, as humour and character building mark this just as much his film as the work of Marvel Studios’ producer Kevin Feige. Downey Jr naturally gets all the best one-liners, but exchanges between him, Evans, Ruffalo and Hemsworth in particular are evenly paced and frequently side-splitting. Whedon is not afraid to use visual humour either, playing on the Hulk’s size or his ability to fling about mortals like rag dolls. More than anything, he recognises that these are already well-defined characters from previous films and comics, and allows their natural charms to emerge within the story where possible.

    Hiddleston builds on his powerfully sympathetic portrayal of the conflicted villain, although the nature of The Avengers beast requires that he be a little more cut and dry in his villainy. On the flip side, Captain America’s transition back into the world after decades on ice is one that requires more exploration, but we will have to wait several years for this to eventuate in its own sequel. The only new cast member is Mark Ruffalo, who replaces Edward Norton as Bruce Banner/The Hulk. Effortlessly slipping into the role, he provides genuine warmth and a glimmer of what has transpired to the character off-screen. Although a third standalone Hulk film is not currently on the horizon, Ruffalo is the first actor to take on the role who actually makes us want to see more of his charmingly gentle take.

    Yet this is, above all things, an action film and this is where the film ultimately delivers and overwhelms. Once the invasion force descends from the heavens, the Michael Bay gene of the film takes over, favouring spectacle over all else. There is undoubtedly far more intelligence behind this action, from the Hulk’s encounters with individual enemies to Stark’s quips in the heat of battle. It would be a cold-hearted fanboy who didn’t get all aquiver as the team comes together on the battlefield for the first time, and a giant creature snakes its way around an embattled New York. In the climactic moments, some of the cracks admittedly show. The Hulk’s domesticity is a convenient occurrence rather than a naturally occurring one, but does make for some spectacular imagery. After literally using archer Clint Barton/Hawkeye (Jeremy Renner) as a pawn in the opening chapter, Whedon is left with not having an effective place for him (or Johansson for that matter) in the final battle of super-beings.

    As a cinematic achievement, The Avengers requires a firm salute of respect for giving the fans exactly what they wanted and pulling together one of the first epics of the year. Yet as fans will know, sticking around until the post-credits sequence is mandatory in a Marvels Studios film, although this time non comics readers will be left scratching their heads. Either way, what The Avengers mostly achieves is an end to one chapter and opening a door to another, filled with sequels, spin-offs and a growing legion of fans who have had their expectations raised by the unnecessarily high quality of this series.

    Item 47 - Lizzy Caplan and Jesse Bradford

    The Disc (★★★):

    In a word, disappointing. This 3-Disc (Blu-ray/DVD/Digital Copy) is also spruiked as a limited edition with a slipcover, but in every other way lives up to the term ‘limited’. The audio/visual aspects to this disc are actually outstanding, and if you are region locked, then this is the only way to see The Avengers. The crystal clear video is easily a 5/5 and the bombastic audio is an impressive equaliser, rattling the windows suitably. We’re also pleased to report that it contains both of the end-credits sequences from the US edition of the film.

    The bonus features on all Australian editions are another story. In fact, there are just over 30 minutes worth of bonus features on this disc, making this a virtually bare-bones outing. The Marvel One-Shot: Item 47 (12 minutes) is the most substantial single feature, and is an ambitious and mostly satisfying expansion to the Marvel Cinematic Universe. The Deleted and Extended Scenes (15 minutes) are most worthwhile for the alternate opening and closing sequences featuring Cobie Smulders (detailed here), and pieces with Harry Dean Stanton/Mark Ruffalo along with more Captain America. There’s also a pretty standard Gag Reel (4 minutes) of line flubs, dropped hammers and general silliness on set.  The Blu-ray also shares a featurette with the single disc DVD (also in this set), A Visual Journey (6 minutes), in which Joss Whedon and his creative team take us through the design of the S.H.I.E.L.D areas of the film.

    What’s missing? We hate to say it, but this one is definite an import recommendation. The film alone is the best ‘feature’, but it seems the price to pay for getting this a month early is missing out on an audio commentary from Joss Whedon, the Soundgarden music video, the alleged ‘second screen’, and worst of all, a 90-minute documentary called “Assembling the Ultimate Team”. The UK Blu-ray is out 17 September, while the US Blu-ray is out on 26 September.

    DirectorJoss Whedon | Writer(s)Joss Whedon | Runtime:  142 minutes | StarringRobert Downey Jr,Chris EvansChris HemsworthTom HiddlestonMark Ruffalo,Scarlet JohanssonSamuel L. JacksonJeremy Renner | CountryUS | Video: 1.78:1 (16:9)/1080p | Audio: DTS HD MA 7.1 English and Italian, Dolby Digital 2.0 Audio Descriptive English, Dolby Digital 5.1 Hindi | Subtitles: English, English HoH, Italian, Hebrew, Romanian | Extras: Featurette, Short Film, Deleted Scenes, Gag Reel | DistributorDisney | RatingHighly Recommended (★★★★) (?) |More info

  • DVD Review: The Avengers

    DVD Review: The Avengers

    Marvel’s Avengers assemble for the first time on the small screen, in a satisfying union that requires some assembly but ultimately achieves its ambitious collision of worlds.

    [stextbox id=”grey” caption=”Disc Specifications” float=”true” align=”right” width=”220″]

    The Avengers DVD

    DirectorJoss Whedon

    Writer(s)Joss Whedon

    Runtime:  138 minutes

    StarringRobert Downey Jr,Chris EvansChris HemsworthTom HiddlestonMark Ruffalo,Scarlet JohanssonSamuel L. JacksonJeremy Renner

    Country: US

    Video: 1.85:1 (16:9)/PAL

    Audio: English Dolby Digital 5.1, English Audio Descriptive, Italian 5.1

    Subtitles: English, English HoH, Italian, Hebrew, Romanian

    Extras: Making Of

    Distributor: Disney

    RatingHighly Recommended (★★★★) (?)

    More info

    [/stextbox]

    It may have seemed like a crazy idea half a decade ago, when the release of Iron Man and The Incredible Hulk within a few months of each other signalled the start of something entirely unique in the film world. Marvel Studios had begun gathering together its mightiest heroes not simply for a series of adaptations, but to reconstruct its comic book universe for cinema audiences. The so-called Marvel Cinematic Universe gained momentum with the addition of Thor and Captain America: The First Avenger to the roster, not to mention an Iron Man sequel, and suddenly the impossible seemed possible. While DC Comics struggled through Superman reboots and Green Lanternmisfires, Marvel had a legitimate cinematic institution on their hands.

    With The Avengers, the disparate elements from four thematically different worlds come together. When an alien force threatens the Earth, under the charge of Asgardian wild child Loki (Tom Hiddleston), über spy organisation S.H.I.E.L.D is compromised. Director Nick Fury (Samuel L. Jackson) desperately summons together Earth’s mightiest warriors to analyse the threat. Yet Captain America (Chris Evans) is a man out of time, and Tony Stark/Iron Man (Robert Downey Jr) an unstoppable egotist with other pursuits on his mind. Black Widow (Scarlet Johansson) is emotionally compromised, uncontrollable demi-god Thor (Chris Hemsworth) is conflicted when it comes to his brother Loki and the newly calm Dr. Bruce Banner (Mark Ruffalo) keeps the Hulk in check. Will this ragtag team be enough to keep the extraterrestrial hordes at bay?

    Given that The Avengers is the culmination of a six film world-building saga, much of the first act of the film is confusingly spent in a dragging set-up not just for this film, but for the chapters that will inevitably follow. Indeed, one would be forgiven for thinking this was the prematurely released Iron Man 3 for at least half of the exposition. Yet as director Joss Whedon‘s script rapidly ticks off the whereabouts of all the players, getting us up to speed with their various misadventures in the cracks between films, some of the immediacy of the spectacular opening is lost. Here even master team-builder Whedon, seasoned through Buffy the Vampire Slayer and Firefly, struggles with the essential problem this film was always going to face: keeping four fan bases happy but simultaneously moving the story forward.

    Once all of the pieces are in one place, however, The Avengers becomes the cracking piece of event cinema that it was always destined to be. Here Whedon plays in his element, as humour and character building mark this just as much his film as the work of Marvel Studios’ producer Kevin Feige. Downey Jr naturally gets all the best one-liners, but exchanges between him, Evans, Ruffalo and Hemsworth in particular are evenly paced and frequently side-splitting. Whedon is not afraid to use visual humour either, playing on the Hulk’s size or his ability to fling about mortals like rag dolls. More than anything, he recognises that these are already well-defined characters from previous films and comics, and allows their natural charms to emerge within the story where possible.

    Hiddleston builds on his powerfully sympathetic portrayal of the conflicted villain, although the nature of The Avengers beast requires that he be a little more cut and dry in his villainy. On the flip side, Captain America’s transition back into the world after decades on ice is one that requires more exploration, but we will have to wait several years for this to eventuate in its own sequel. The only new cast member is Mark Ruffalo, who replaces Edward Norton as Bruce Banner/The Hulk. Effortlessly slipping into the role, he provides genuine warmth and a glimmer of what has transpired to the character off-screen. Although a third standalone Hulk film is not currently on the horizon, Ruffalo is the first actor to take on the role who actually makes us want to see more of his charmingly gentle take.

    The Avengers (2012)

    Yet this is, above all things, an action film and this is where the film ultimately delivers and overwhelms. Once the invasion force descends from the heavens, the Michael Bay gene of the film takes over, favouring spectacle over all else. There is undoubtedly far more intelligence behind this action, from the Hulk’s encounters with individual enemies to Stark’s quips in the heat of battle. It would be a cold-hearted fanboy who didn’t get all aquiver as the team comes together on the battlefield for the first time, and a giant creature snakes its way around an embattled New York. In the climactic moments, some of the cracks admittedly show. The Hulk’s domesticity is a convenient occurrence rather than a naturally occurring one, but does make for some spectacular imagery. After literally using archer Clint Barton/Hawkeye (Jeremy Renner) as a pawn in the opening chapter, Whedon is left with not having an effective place for him (or Johansson for that matter) in the final battle of super-beings.

    As a cinematic achievement, The Avengers requires a firm salute of respect for giving the fans exactly what they wanted and pulling together one of the first epics of the year. Yet as fans will know, sticking around until the post-credits sequence is mandatory in a Marvels Studios film, although this time non comics readers will be left scratching their heads. Either way, what The Avengers mostly achieves is an end to one chapter and opening a door to another, filled with sequels, spin-offs and a growing legion of fans who have had their expectations raised by the unnecessarily high quality of this series.

    The Disc (★★★):

    This Australian single disc edition is Avengers-Lite™, and serious fans will be looking towards the Blu-ray edition or the multi-disc sets. The sound is still pretty amazing on this disc, actively using all of the surround channels and flat-out bursting through the speakers from the opening scenes. The picture quality does look somewhat compressed, but that is only in comparison to the 1080p transfer that our eyes have grown accustomed to. This is still an impressive display. This single-disc edition only comes equipped with a single featurette, A Visual Journey (6 minutes), in which Joss Whedon and his creative team take us through the design of the S.H.I.E.L.D areas of the film. We’re alos pleased to report that it contains both of the end-credits sequences from the US edition of the film. Bottom Line? Get the Blu-ray.

  • Review: The Avengers

    Review: The Avengers

    Marvel’s Avengers assemble for the first time on the big screen, in a mostly satisfying union that requires some assembly but ultimately achieves its ambitious collision of worlds.

    [stextbox id=”grey” caption=”The Avengers (2012)” float=”true” align=”right” width=”200″]

    The Avengers poster - Australia

    DirectorJoss Whedon

    Writer(s)Joss Whedon

    Runtime:  143 minutes

    Starring: Robert Downey Jr, Chris EvansChris Hemsworth, Tom HiddlestonMark Ruffalo, Scarlet Johansson, Samuel L. Jackson, Jeremy Renner,

    Distributor: Disney

    CountryUS

    Rating (?)Highly Recommended

    More info

    [/stextbox]

    It may have seemed like a crazy idea half a decade ago, when the release of Iron Man and The Incredible Hulk within a few months of each other signalled the start of something entirely unique in the film world. Marvel Studios had begun gathering together its mightiest heroes not simply for a series of adaptations, but to reconstruct its comic book universe for cinema audiences. The so-called Marvel Cinematic Universe gained momentum with the addition of Thor and Captain America: The First Avenger to the roster, not to mention an Iron Man sequel, and suddenly the impossible seemed possible. While DC Comics struggled through Superman reboots and Green Lantern misfires, Marvel had a legitimate cinematic institution on their hands.

    With The Avengers, the disparate elements from four thematically different worlds come together. When an alien force threatens the Earth, under the charge of Asgardian wild child Loki (Tom Hiddleston), über spy organisation S.H.I.E.L.D is compromised. Director Nick Fury (Samuel L. Jackson) desperately summons together Earth’s mightiest warriors to analyse the threat. Yet Captain America (Chris Evans) is a man out of time, and Tony Stark/Iron Man (Robert Downey Jr) an unstoppable egotist with other pursuits on his mind. Black Widow (Scarlet Johansson) is emotionally compromised, uncontrollable demi-god Thor (Chris Hemsworth) is conflicted when it comes to his brother Loki and the newly calm Dr. Bruce Banner (Mark Ruffalo) keeps the Hulk in check. Will this ragtag team be enough to keep the extraterrestrial hordes at bay?

    Given that The Avengers is the culmination of a six film world-building saga, much of the first act of the film is confusingly spent in a dragging set-up not just for this film, but for the chapters that will inevitably follow. Indeed, one would be forgiven for thinking this was the prematurely released Iron Man 3 for at least half of the exposition. Yet as director Joss Whedon‘s script rapidly ticks off the whereabouts of all the players, getting us up to speed with their various misadventures in the cracks between films, some of the immediacy of the spectacular opening is lost. Here even master team-builder Whedon, seasoned through Buffy the Vampire Slayer and Firefly, struggles with the essential problem this film was always going to face: keeping four fan bases happy but simultaneously moving the story forward.

    Once all of the pieces are in one place, however, The Avengers becomes the cracking piece of event cinema that it was always destined to be. Here Whedon plays in his element, as humour and character building mark this just as much his film as the work of Marvel Studios’ producer Kevin Feige. Downey Jr naturally gets all the best one-liners, but exchanges between him, Evans, Ruffalo and Hemsworth in particular are evenly paced and frequently side-splitting. Whedon is not afraid to use visual humour either, playing on the Hulk’s size or his ability to fling about mortals like rag dolls. More than anything, he recognises that these are already well-defined characters from previous films and comics, and allows their natural charms to emerge within the story where possible.

    The Avengers - Loki (Tom Hiddleston)

    Hiddleston builds on his powerfully sympathetic portrayal of the conflicted villain, although the nature of The Avengers beast requires that he be a little more cut and dry in his villainy. On the flip side, Captain America’s transition back into the world after decades on ice is one that requires more exploration, but we will have to wait several years for this to eventuate in its own sequel. The only new cast member is Mark Ruffalo, who replaces Edward Norton as Bruce Banner/The Hulk. Effortlessly slipping into the role, he provides genuine warmth and a glimmer of what what has transpired to the character off-screen. Although a third standalone Hulk film is not currently on the horizon, Ruffalo is the first actor to take on the role who actually makes us want to see more of his charmingly gentle take.

    Yet this is, above all things, an action film and this is where the film ultimately delivers and overwhelms. Once the invasion force descends from the heavens, the Michael Bay gene of the film takes over, favouring spectacle over all else. There is undoubtedly far more intelligence behind this action, from the Hulk’s encounters with individual enemies to Stark’s quips in the heat of battle. It would be be a cold-hearted fanboy who didn’t get all aquiver as the team comes together on the battlefield for the first time, and a giant creature snakes its way around a embattled New York. In the climactic moments, some of the cracks admittedly show. The Hulk’s domesticity is a convenient occurrence rather than a naturally occurring one, but does make for some spectacular imagery. After literally using archer Clint Barton/Hawkeye (Jeremy Renner) as a pawn in the opening chapter, Whedon is left with not having an effective place for him (or Johansson for that matter) in the final battle of super-beings.

    THE AVENGERS - THOR (Chris Hemsworth) (L) and CAPTAIN AMERICA (Chris Evans) (R)

    As a cinematic achievement, The Avengers requires a firm salute of respect for giving the fans exactly what they wanted and pulling together one of the first epics of the year. Yet as fans will know, sticking around until the post-credits sequence is mandatory in a Marvels Studios film, although this time non comics readers will be left scratching their heads. Either way, what The Avengers mostly achieves is an end to one chapter and opening a door to another, filled with sequels, spin-offs and a growing legion of fans who have had their expectations raised by the unnecessarily high quality of this series.

    The Avengers is released 25 April 2012 in Australia, 27 April 2012 in the UK (as The Avengers Assemble) and 4 May 2012 in the US from Disney.

  • New Behind the Scenes Photos and Video from The Avengers

    New Behind the Scenes Photos and Video from The Avengers

    The Avengers Assemble posterIt’s not long now, so the photos and videos for The Avengers will be coming thick and fast. Marvel has just released six new behind the scenes photos via Yahoo! Movies, while anti-virus company Norton has a video unfortunately titled “Assemble the Ultimate Protection“. The latter sounds like there is a set of Avengers condoms they have been just dying to market. If you can’t be Robert Downey Jr, you can be in Robert Downey Jr. We also imagine the Hulk ones will glow in the dark, and consumers will love calling their protected areas “Thor’s Mighty Hammer”.

    Directed by Joss Whedon, Marvel’s The Avengers is based on the ever-popular Marvel comic book series The Avengers, first published in 1963. The super team of Captain America, Thor, Iron Man, The Incredible Hulk (and some other folk) must band together to stop the world from being all destroyed and such. The film stars Robert Downey Jr.Chris EvansMark RuffaloChris HemsworthScarlett JohanssonJeremy RennerCobie Smulders and Samuel L. Jackson.

    The Avengers is released in Australia on 25 April 2012 from Disney. It will be released in the US a week later on 4 May 2012.

    Click images to embiggen 

    The Avengers - Samuel L Jackson

    The Avengers - Joss Whedon

    The Avengers - Joss Whedon and Chris Hemsworth

    The Avengers - Joss Whedon and Mark Ruffalo

    The Avengers - Jeremy Renner

    The Avengers - Iron Man

  • 10 New Photos from Marvel’s The Avengers

    10 New Photos from Marvel’s The Avengers

    The Avengers Assemble posterMovieZine (via Collider) has released 10 new photos from Marvel’s The Avengers, showcasing the cast of characters in the lead-up to the film’s debut later next month. There is nothing groundbreaking here, except that only one of the photos seems to be taken on the rubble strewn streets we’ve seen in every advert, there is a very cool picture of Captain America (Chris Evans) surrounded by smoke and a timely reminder that Scarlett Johansson has breasts.

    Directed by Joss Whedon, Marvel’s The Avengers is based on the ever-popular Marvel comic book series The Avengers, first published in 1963. The super team of Captain America, Thor, Iron Man, The Incredible Hulk (and some other folk) must band together to stop the world from being all destroyed and such. The film stars Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner, Cobie Smulders and Samuel L. Jackson.

    The Avengers is released in Australia on 25 April 2012 from Disney. It will be released in the US a week later on 4 May 2012.

    Click images to embiggen 

    The Avengers (2012) - Bruce Banner/Hulk (Mark Ruffalo)

    The Avengers (2012) - Loki (Tom Hiddleston)

    The Avengers (2012) - Hawkeye (Jeremy Renner)

    The Avengers (2012) - Captain America (Chris Evans)

    The Avengers (2012) - Captain America (Chris Evans)

    The Avengers (2012) - Captain America (Chris Evans)

    The Avengers (2012) - Nick Fury (Samuel L Jackson)

    The Avengers (2012) - Thor (Chris Hemsworth) and Maria Hill (Cobie Smulders)

    The Avengers (2012) - Iron Man/Tony Stark (Robert Downey Jr)

    The Avengers (2012) - Black Widow's breasts (portrayed by Scarlett Johansson's breasts)