Tag: Warner

  • Review: Scoob!

    Review: Scoob!

    If there’s one thing Hanna-Barbera cartoons have always been good at, it’s a mash-up. From The Huckleberry Hound Show to Wacky Races, Laff-A-Lympics and even Yogi’s Space Race, the studios properties have never been happy sticking to their own lanes.

    Which seems to be the philosophy sitting behind SCOOB!, the third theatrical outing (and the umpteenth animated film) featuring the characters introduced in TV’s Scooby-Doo, Where Are You! back in 1969. Despite a history of not caring about continuity, this irreverent approach may not sit well with all fans.

    Following the trend of reboots, veteran animator Tony Cervone serves up something of a loose origin story. In this version, the lonely young Shaggy adopts a street dog he names Scooby Dooby-Doo (voiced by Frank Welker). They soon befriend a group of weirdos and they start to solve mysteries.

    The adult Shaggy (Will Forte), Fred (Zac Efron), Daphne (Amanda Seyfried), and Velma (Gina Rodriguez) ask Simon Cowell for funding to start their mystery-solving business. Yet thanks to the machinations of Dick Dastardly (Jason Isaacs), Shaggy and Scoob find themselves on an adventure with Dynomutt the Dog Wonder (Ken Jeong) and his inept partner Brian Crown (Mark Wahlberg), the son of the original Blue Falcon.

    For a film that opens with the music of Tupac and Dr. Dre, contains a reference to Gérard Depardieu and sees Shaggy and Brian having a conversation about impostor syndrome, you have to wonder who the intended audience is. Hell, there’s an action sequence set to Outkast’s ‘B.O.B. (Bombs Over Baghdad)!’ Of course, this same approach sees Fred referred to as a “poor man’s Hemsworth” to which he replies “Chris or Liam?”

    All of which serves to remind us that SCOOB! is determined not to be a traditional Scooby Doo film. By casting Dastardly as the villain, they open the door to countless Easter eggs and references, from the obvious appearance of Captain Caveman (voiced by Tracey Morgan) to Takamoto Bowl, an establishment named for the legendary animator Iwao Takamoto, the original designer of Scooby-Doo.

    Reactions will undoubtedly be mixed for a film that bares little resemblance to the original formula. Sure, there’s an abandoned amusement park, haunted mansions, multiple unmaskings and darn kids not letting villains get away with things, but Fred, Velma and Daphne are frequently forgotten in the mix. There are also times when the tongue is planted so firmly in cheek that it forgets what the meal was supposed to be.

    Still, it’s a slickly animated film, starting with televisual minimalism and building up to the bigger budget cinematic set-pieces. From clownishly oversized sandwiches, to engaging character designs and the genuinely impressive giant ghost Cerberus in the finale, it’s a slight shame we didn’t get to see this on the big screen. The familiar sound effects from the original cartoon also add some authenticity.

    While the film ultimately becomes an appetiser for future adventures, even the odd references, occasionally adult humour and chaotic plotting don’t detract from the basic fun to be had in Scooby and Shaggy’s heartfelt relationship. To quote the Gang themselves, “They are surprisingly effective goofballs.”

    2020 | US | DIRECTOR: Tony Cervone | WRITERS: Adam Sztykiel, Jack Donaldson, Derek Elliott, Matt Lieberman | CAST: Will Forte, Mark Wahlberg, Jason Isaacs, Gina Rodriguez, Zac Efron, Amanda Seyfried, Kiersey Clemons, Ken Jeong, Tracy Morgan, Frank Welker | DISTRIBUTOR: Warner. Bros| RUNNING TIME: 94 minutes | RELEASE DATE: 15 May 2020 (Digital)

  • Review: White Snake

    Review: White Snake

    The Legend of the White Snake, also known as Madame White Snake, is counted as one of China’s Four Great Folktales. The subject of countless retellings, it has been adapted to the screen dozens of times, beginning with Xinhua Studio’s 1939 film and carrying through to several web dramas released in 2019. So, while Amp Wong and Zhou Ji’s WHITE SNAKE (白蛇:緣起) isn’t the first time the tale has been animated, it is arguably the most beautiful.

    Damao’s screenplay reinterprets the legend as something of a two-hander, as a young woman who has lost her memory is rescued by Xuan, a snake catcher. As the duo attempts to find out more about the young woman’s past, an entire mystical world is opened up to them both.

    Fans of Hong Kong and Chinese cinema will be no strangers to variations on this tale, and will arguably be most familiar with Tsui Hark’s 1993 Green Snake with Maggie Cheung or the Jet Li starring The Sorcerer and the White Snake, notable at the time for its use of 3D. In comparison, this WHITE SNAKE is a more ‘Disneyfied’ affair, although it’s still filled with a wuxia vibe and is filled with familiar touchstones of Chinese cinema.

    White Snake

    Where this edition separates itself from all others is in the stunning animation. Light Chaser Animation Studios, the production house behind 2016’s Little Door Gods, brings an elegance to everything on screen. Every shot looks like a photograph. There’s one sequence where the lead duo float through the landscape on an umbrella, and it is possibly one of the best examples of CG rendering on screen in the last year. It can happily sit alongside Big Fish and Begonia as a top example of China’s contemporary animation industry.

    There is a slight tonal tension though, or at least a mix that western audiences may not be as familiar with. On the one hand, there’s the animated staple of a talking dog providing comedy relief. On the other, there’s a fair bit of animated violence, some scary monsters (and super creeps), and at least one bit of of PG-13 sexy times in a temple that you would definitely not see from the House of Mouse.

    Yet there is so much to love here, from the delicately crafted action sequences to monsters appearing out of the mists like a Gareth Edwards film. If the post-credits sequence is anything to go by, it won’t be the last we see of these characters either.

    New York Asian Film Festival (NYAFF 2019)

    2018 | China | DIR: Amp Wong, Zhao Ji | WRITER: Damao| CAST: Zhang Zhe, Yang Tianxiang | DISTRIBUTOR: Joy Pictures (China), Warner Bros., New York Asian Film Festival (US) | RUNNING TIME: 99 minutes | RELEASE DATE: 7 July 2019 (NYAFF)

  • Review: Champion

    Review: Champion

    With Korean arm-wrestling movie CHAMPION (챔피언), you may be forgiven for thinking we’ve reached the fringes of what sports films can offer us. Yet we’re 16 years north of Australian lawn-bowling film Crackerjack, and a good three decades on from Sylvester Stallone’s Over the Top, a film some would argue is the quintessential piece of arm-wrestling cinema. 

    Mark (Ma Dong-Seok), a Korean raised in the US, is a disgraced arm-wrestler who now works as a bouncer. His old friend Jin-ki (Kwon Yul) convinces him to return to fight for money in Korean, albeit with the intent of making money off fixed matches. Mark is also hoping to reconnect with his birth mother, but after discovering she has already passed, begins a relationship with a widowed half-sister (Han Ye-Ri) and her kids.

    CHAMPION (챔피언)

    Writer/director Kim Yong-Wan doesn’t stray too far from the comeback kid formula, with Mark chasing his “last chance at competing” right down to the letter of the trope. There’s even a training and clubbing montage, showing Mark’s determination to prove he’s better at keeping other men’s arms horizontal. Ma Dong-Seok (aka Don Lee) was an excellent choice to go the distance. His physicality convincingly says ‘wrestler,’ while his jovial personality (including a recurring joke about him being ‘cute’) carries much of the lighthearted emotional core of the film. 

    Case in point is the secondary plot of Mark getting to know a family he didn’t realise existed. As his relationship to this small clan isn’t clear from the start, Han Ye-Ri’s character seems like she’s wandered in from another film at times. Indeed, much of the saccharine tone of these moments is incongruous with a film that is primarily about arm-wrestling and underground gambling dens. Yet without this sidebar, how else would Kim Yong-Wan include an inspirational hand-holding montage during the film’s climax?

    Even with these wide tonal swings, CHAMPION is unquestionably a film that knows its audience. Primarily a showcase for Ma Dong-Seok, and while he plays a better variation on this theme in Along with the Gods: The Last 49 Days, it still works for his core fanbase. Much the same way that The Pacifier works for Vin Diesel’s rabid fans, right?  Which now begs the question: who would win in a fight between Sly Stallone, Vin Diesel, and Ma Dong-Seok?

    [stextbox id=”grey” bgcolor=”F2F2F2″ mleft=”5″ mright=”5″ image=”null”]Koffia Logo2018 | South Korea | DIR: Kim Yong-Wan | WRITER: Kim Yong-Wan | CAST: Ma Dong-Seok, Kwon Yul, Han Ye-Ri | RUNNING TIME: 108 minutes | DISTRIBUTOR: Warner Bros. (KOR), Fantasia International Film Festival (Canada), KOFFIA (AUS) | RELEASE DATE: 15 July 2018 (Fantasia), 10 August 2018 (KOFFIA/AUS)[/stextbox]

  • ‘Supergirl’ movie in the works from Warner/DC

    ‘Supergirl’ movie in the works from Warner/DC

    You have to give Warner and DC Comics credit for persistence. Deadline is reporting that the studio has a SUPERGIRL film in the works, with Oren Uziel (The Cloverfield Paradox) penning the script. No other details are available.

    Supergirl’s comic book history is complicated, depending on which side of a reboot you’re on, but she’s generally accepted to be Superman’s cousin from Krypton. Supergirl first appeared in a story published in Action Comics #252 (way back in May 1959) imaginatively titled “The Supergirl from Krypton”.

    Supergirl is, of course, currently a TV series from Greg Berlanti on the CW, having just completed its third season. Melissa Benoist plays the titular hero, with Tyler Hoechlin having appeared several times as Superman. It is understood this new film will fit into the DC Extended Universe and follow Man of Steel and Justice League.

    Deadline points out what a change in direction this is for the franchise, one looking for a way to bring Superman back out of the darkness and into the pantheon of inspiring superheroes. It would certainly match the lighter tone that Shazam! and hopefully Wonder Woman 1984 is striving for.

    The last Supergirl film was in 1984 starring Helen Slater. That actress has since cameoed in the Supergirl TV series, cleverly playing Supergirl’s adopted mother opposite former Lois & Clark alum Dean Cain.

  • DCEU: ‘Aquaman’ and ‘Shazam!’ trailers prove they exist

    DCEU: ‘Aquaman’ and ‘Shazam!’ trailers prove they exist

    Despite release windows in the next 5 to 9 months respectively, the Warner Bros. and the DC Extended Universe has kept any footage from AQUAMAN and SHAZAM! under wraps. Until now.

    With Comic-Con International in San Diego running all weekend, we finally get our first look at the two new adventures for the DCEU.  In James Wan’s AQUAMAN, due out in cinemas in December, we see the origin story of half-human, half-Atlantean Arthur Curry as he takes the journey of his lifetime—one that will not only force him to face who he really is, but to discover if he is worthy of who he was born to be…a king.

    The trailer relies very much on the appeal of a shirtless Jason Momoa, and that might just be the one factor that brings the world together in these troubled times. There’s definitely hints from Geoff Johns, Ivan Reis, and Joe Prado’s New 52 runs “The Trench” and “The Others” present in the trailer. The tone is wildly inconsistent, even for a trailer, but here’s hoping this is more than slow-mo action and underwater CG.

    Then there’s the actual ray of light in the DCEU, with SHAZAM! set to be a proper comedy for the franchise. Even if it is a mildly mean-spirited body-swap caper. David F. Sandberg directs the film that the synopsis summarises as being about Billy Batson. “By shouting out one word—SHAZAM!—this streetwise 14-year-old foster kid can turn into the adult Super Hero Shazam (Levi), courtesy of an ancient wizard. Still a kid at heart—inside a ripped, godlike body—Shazam revels in this adult version of himself by doing what any teen would do with superpowers: have fun with them!”

  • Cameras roll on sequel ‘Wonder Woman 1984’

    Cameras roll on sequel ‘Wonder Woman 1984’

    Warner Bros. has announced that production has commenced on WONDER WOMAN 1984 has commenced. It’s set to open in cinemas on 31 October 2019 in Australia and New Zealand. You can check out the first look images below.

    Fast forward to the 1980s as Wonder Woman’s next big screen adventure finds her facing an all-new foe: The Cheetah. Principal photography is underway on Warner Bros. Pictures’ follow up to the Super Hero’s first outing, last summer’s record-breaking Wonder Woman which took in $822 million at the worldwide box office. WONDER WOMAN 1984 will also be helmed by acclaimed director Patty Jenkins, and star Gal Gadot in the title role.

    As previously announced, the film also stars Kristen Wiig in the role of the Super-Villain The Cheetah, as well as Pedro Pascal. And Chris Pine returns as Steve Trevor.

    Charles Roven, Deborah Snyder, Zack Snyder, Patty Jenkins, Stephen Jones and Gal Gadot are producing the film. Rebecca Roven Oakley, Richard Suckle, Wesley Coller, Geoff Johns and Walter Hamada are the executive producers.

    Joining her behind the scenes are several members of Jenkins’ Wonder Woman team, including director of photography Matthew Jensen, Oscar-nominated production designer Aline Bonetto, and Oscar-winning costume designer Lindy Hemming. Oscar-nominated editor Richard Pearson will cut the film.

    Production will take place in Washington, D.C., Alexandria, Virginia, and in the UK, Spain and the Canary Islands.

    Wonder Woman 1984 - Chris Pine

    Wonder Woman 1984 - Gal Gadot

    Wonder Woman 1984

  • First official images of Zachary Levi as ‘Shazam!’

    First official images of Zachary Levi as ‘Shazam!’

    We’ve all seen the padded wonders of the behind the scenes set photos. Now Zachary Levi has revealed the first promotional image of himself in DC/Warner’s SHAZAM! film. The film is scheduled to release on 5 April 2019 from Roadshow Films. 

    Shazam! started life as a Fawcett Comic book hero known as Captain Marvel, and was  the first comic book superhero to be adapted into film, in a 1941 Republic Pictures serial titled Adventures of Captain Marvel. Detective Comics sued the company for copyright infringement over several Superman strips. DC later wound up owning the character, and revived the comics under the banner of Shazam! for obvious reasons. (It would be a bit like Marvel Comics have a character named Captain DC, wouldn’t it?)

    In the 1970s, Filmation produced live-action television show, which ran from 1974 to 1977 on CBS and starred Jackson Bostwick as the eponymous hero. From 1975 until the end of its run, it aired as one-half of The Shazam!/Isis Hour, featuring Filmation’s own unfortunately named The Secrets of Isis as a double-feature.

    Directed by David F. Sandberg, the film also stars Mark Strong as Dr. Thaddeus Sivana.

    Shazam! Shazam!

  • Fantastic Beasts: The Crimes of Grindelwald official teaser trailer and LEGO sets

    Fantastic Beasts: The Crimes of Grindelwald official teaser trailer and LEGO sets

    Just in case you missed the Internet today, Warner Bros. have released a teaser trailer for FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD. The follow-up to Fantastic Beasts and Where to Find Them hits Australian cinemas on 15 November 2018. You can check out the teaser below, along with some shots of the forthcoming LEGO sets as well.

    At the end of the first film, the powerful Dark wizard Gellert Grindelwald (Johnny Depp) was captured by MACUSA (Magical Congress of the United States of America), with the help of Newt Scamander (Eddie Redmayne). However, Grindelwald escaped custody and has set about gathering followers, most unsuspecting of his true agenda: to raise pure-blood wizards up to rule over all non-magical beings. 

    In an effort to thwart Grindelwald’s plans, Albus Dumbledore (Jude Law) enlists his former student Newt Scamander, who agrees to help, unaware of the dangers that lie ahead. Lines are drawn as love and loyalty are tested, even among the truest friends and family, in an increasingly divided wizarding world. The appearance of a classic Harry Potter character is already causing some major buzz, expanding J.K Rowling’s universe to new and intriguing places. It’s an old-fashioned crossover!  

    Then there’s the inevitably (and awesome) LEGO sets. The Brick Fan, one of our favourite sites on all things brick-related, has posted news of a new LEGO Fantastic Beasts’ Grindelwald´s Escape set to go along with the film. Due out in August, the 132 piece set has the following specs:

    • Gellert Grindelwald and Seraphina Picquery™ minifigures, plus a Thestral figure with posable wings.
    • Features a buildable articulated carriage with opening doors and a removable roof.
    • Flap the Thestral’s wings to make a flying escape!
    • Also includes shooting spell accessories on the hands of Seraphina and Grindelwald.
    • Recreate iconic scenes from the upcoming Warner Bros. Pictures film, Fantastic Beasts: The Crimes of Grindelwald

     

    LEGO Fantastic Beasts: The Crimes of Grindelwald LEGO Fantastic Beasts: The Crimes of Grindelwald

  • ‘Flashpoint’ directors confirmed: John Francis Daley and Jonathan Goldstein

    ‘Flashpoint’ directors confirmed: John Francis Daley and Jonathan Goldstein

    The long search for a director for The Flash movie is reportedly over: they found two of them! John Francis Daley and Jonathan Goldstein, best known for writing Spider-Man: Homecoming and Vacation, are officially on board for FLASHPOINT.

    The news was confirmed in a tweet from Daley, who simply said: “It’s happening.”

    Daley and Goldstein were last reported as being on board back in January. The production had been troubled for a number of years. Back in April 2016, The Flash film lost then-director Seth Grahame-Smith. The studio quickly scrambled to replace him with Dope director Rick Famuyiwa shortly afterwards. However, in November 2016 Famuyiwa also left the film.

    It hasn’t been announced whether or not the directors will be working from an existing script or starting from scratch. From the title, we can guess that the film will be loosely based on the 2011 DC Comics event. In the series, Barry Allen wakes up to find that the timeline has radically changed and he appears to be the only one able to realise it.

  • Joss Whedon exits Batgirl movie

    Joss Whedon exits Batgirl movie

    The Hollywood Reporter has revealed that Joss Whedon will no longer be involved with DC’s Batgirl movie.

    Batgirl is such an exciting project, and Warners/DC such collaborative and supportive partners, that it took me months to realize I really didn’t have a story,” Whedon told the source in a statement. “I’m grateful to Geoff [Johns] and [Warner Bros. Picture Group president] Toby [Emmerich] and everyone who was so welcoming when I arrived, and so understanding when I…uh, is there a sexier word for ‘failed?’”

    It was almost a year ago when Whedon was announced as the director of a Batgirl film. Originally set to start shooting in 2018, Geoff Johns told IGN during SDCC 2017: “We are doing ‘Batgirl’ with Joss Whedon, it’s gonna be super exciting and he’s gonna start that next year. That’s just the start. We want to explore the Batman universe in a big new way.”

    In July 2017, Whedon said that he was currently wrapping up production on Justice Leaguefilling in for Zack Snyder since his departure earlier that year, would begin production on Batgirl immediately afterward. One has to wonder whether the poor reception for that film has more to do with Whedon’s departure than any other factor.

    We feel confident the Batman universe will find a way of expanding in every possible medium throughout 2018.