Tag: Yolanda Ramke

  • Australia’s ‘Cargo’ gets new trailer and poster from Umbrella

    Australia’s ‘Cargo’ gets new trailer and poster from Umbrella

    Umbrella Entertainment has dropped a new trailer and poster for Yolanda Ramke and Ben Howling’s superb film CARGO. While the rest of the world gets the film via Netflix on 18 May 2018, the festival success and rave reviews have led to the film garnering a theatrical release on 17 May 2018 around Australia. 

    Adapting their own Tropfest short of the same name, the feature film introduces us to Andy (Martin Freeman) and Kay (Susie Porter) and their daughter Rosie, surviving on a houseboat in the wake of a pandemic. When tragedy strikes, Andy has less than 48 hours to find a suitable caretaker for Rosie before he too succumbs to the virus.

    We reviewed the film in October last year at the Adelaide Film Festival, throwing a 4-star review at it: “A terrific spin on the ‘zombie’ movie, weaving traditional Aboriginal narratives into an unforgiving landscape for an experience that’s truly unique.”

    Umbrella’s Head of Theatrical Dov Kornits said “CARGO is one of the best and most commercial Australian films of the year. The reaction at the film’s World Premiere at the Adelaide Film Festival last year was overwhelming, and we saw first-hand how audiences respond to the emotional journey of this film.”

    CARGO is also bound for the Tribeca Film Festival in New York at the end of the month.

    CARGO poster

  • Review: Cargo

    Review: Cargo

    The zombie film has undergone some pretty radical changes between the late, great George Romero and The Walking Dead. What keeps us engaged with the stories is the core belief that humanity will ‘make it’ even in the face of adversity. Which is what makes Yolanda Ramke and Ben Howling’s CARGO less about zombies than it does about survival and love.

    Adapting their own Tropfest short of the same name, the feature film introduces us to Andy (Martin Freeman) and Kay (Susie Porter) and their daughter Rosie, surviving on a houseboat in the wake of a pandemic. When tragedy strikes, Andy has less than 48 hours to find a suitable caretaker for Rosie before he too succumbs to the virus.

    Cargo - Martin Freeman

    If Geoffrey Simpson’s breathtaking photography of outback South Australia doesn’t immediately distinguish CARGO from other films in the genre, then Ramke and Howling’s commitment to world-building will. They don’t simply place their lone wolf and cub in the middle of a familiar setting, but instead craft a whole background to the viral epidemiology and the response to it.

    This is never done with heavy-handed exposition, with Ramke’s occasionally episodic script dropping visual hints about the events that led to this. ‘First aid’ kits tell us all we need to know about how far the virus had advanced by the time we join Andy and Rosie. A key encounter with Vic (Anthony Hayes) and Lorraine (Caren Pistorius) show us what people are willing to do for the sake of normality in this fresh hell of post-apocalyptic Australia.

    Cargo

    Undoubtedly one of the points of difference is the seamless incorporation of Indigenous stories into the character arcs, principally led by the young Toohie, in search of the Cleverman (David Gulpilil) who she believes can save her own zombified father. Rather than come across as somehow tokenistic, these elements offer an alternative to the returning to ‘status quo’ before the plague.

    Freeman leads an excellent cast, taking his unlikely trajectory as a leading man and focusing all of his energy on a singular goal. Hayes and Pistorius in particular offer great counterpoints to his protectionism, and its great to see faces like Rabbit-Proof Fence‘s Natasha Wanganeen in small but significant roles.

    While there’s a very thin line that CARGO skirts along the edges of saviour and magical native narratives, it never gives into either. What Ramke and Howling manage to do is use our familiarity with the tropes and continue to ramp up the tension until we get to the inevitable but powerful conclusion. The result is a showcase for original Australian stories, and one of the most remarkable new takes on the genre.

    Adelaide Film Festival ADLFF

    2017 | Australia | DIR: Yolanda Ramke and Ben Howling | WRITERS: Yolanda Ramke | CAST: Martin Freeman, Anthony Hayes, Caren Pistorius, David Gulpilil, Susie Porter, Kris McQuade, Bruce R. Carter, Natasha Wanganeen | DISTRIBUTOR: Umbrella Entertainment Films (AUS) | RUNNING TIME: 105 minutes | RELEASE DATE: 6 October 2017 (ADLFF)

  • First look at Martin Freeman in Australian zombie film ‘Cargo’

    First look at Martin Freeman in Australian zombie film ‘Cargo’

    A first look image of Emmy and BAFTA award winning actor Martin Freeman (The Hobbit, Black Panther, Sherlock, Fargo) in CARGO has been released. The Australian set zombie film (of sorts) hits screens in 2017, but an early look has been released by the film’s producers.

    Stranded in rural Australia in the aftermath of a violent pandemic, an infected man desperately seeks a new guardian for his infant child, and a means to protect her from his own changing nature. Salvation may lie with an isolated Aboriginal tribe, but to gain access he must first earn the allegiance of a young Indigenous girl on a tragic quest of her own.

    Martin Freeman - Cargo

    Continuing a year of genre films in Australia, Freeman stars alongside Cannes Film Festival Un Certain Regard – Best Actor winner David Gulpilil (Charlie’s Country, Ten Canoes, Storm Boy), Anthony Hayes (Animal Kingdom, The Light Between Oceans, upcoming War Machine), Caren Pistorius (Slow West, Offspring, The Light Between Oceans), Susie Porter (Puberty Blues, Better Than Sex, Little Fish) and newcomer Simone Landers.

    The script was written by Yolanda Ramke, who is co-directing with Ben Howling. Causeway Films producers Samantha Jennings and Kristina Ceyton (The Babadook) are working alongside Addictive Pictures’ Russell Ackermann and John Schoenfelder, with Mark Patterson attached as South Australian producer.

    The short film upon which the film is based was a finalist in Tropfest 2013 and subsequently has become the most watched film on the festivals YouTube channel, attracting more than 10 million views.  You can check it out below.